Calico Days

  
Like Mary’s lamb, Betty walked us to school each day.

Athough, the street crossing delimited her hospitality.

She left us, standing her curbside guard as we passed,

rounding the corner to the garden playground tarmac,

launching little ones to the land of rowed rote learning.

The morning ritual drew her celebrity as the cut-tail cat,

the shepherd of the suburban neighborhood children.  

She pranced for pets, then skittered past to prod them,

“Don’t be late,” as if urging them to the teachers’ walls, 

brick-lined in students armed with backpacked lunches.

And thus she bid the morning watchfully, awaiting 2:42 

when full of 2+2 and rainbow-colored painted clothes,

her charges returned to their tri-colored ambassador,

strolling four-footed assured along a territory secured

in pats and giggles, amazement and chase of the calico.

Bar Deflection

  

  

A man walks in to the bar and sidles up to me, stool side snug,

gives a side glance quick-like, casual, and motions for the boy;

at least he looks like a boy, tatted up the arm muscle contours,

blues and greens twitching and bulging in the heaves of lugging.

But his face smiles baby-faced 21, hype curbed in sedative cool.

Fleshy-courteous grin, his lips precede his face to our bar seats.
 

“Scotch, straight up,” he orders as if awaiting a standing ovation.

I make for my screen, avoiding an audience for what’s on Twitter,

scrolling in feigned interest, the intensity frosting an act of denial.

A momentary pondering how my deft fingers in memory motion

flick images by the dozens past, rehearsed in the skin of bones, 

I lose sight of him who I spy in the heat of electromagnetic sense.
 

But he makes himself known with shoe scuffle and breathy groan,

the kind that signals satisfaction of the quaff, smack of the throat,

wedging himself in the blankness of space I apportioned off to me.

“What are you drinking?” the gargling chuff of each word spit out

in rhythmic steam of Scotch, cloying ambition, and blind incursion.

Lifting my head with a start, I flash from half-mast to widened lids.

 
“Liquid, something liquid,” I reply, speaking to the drop on his lips.

His chin is at 5 o’clock, at shadows, retiring, and sun-downed dark.

Slicked, stay-put hair, one rogue strand licking forehead to cheek,

peppered head to toe with an in-between-ness of age and youth,

he stares, hiding discomfort behind the glaze of liquid eye screen.

“My optometrist knew my diet by my crystal clear corneas,” I offer.
 

Then he smiles, his eyes disappearing inside of his face in pause.

Deliberately he turns away, glass in one hand, the other propped,

a podium for his head, as his eyes bore holes in the wet, oak bar.

I study his exposed cheek a minute, while he recomposes himself.

Will he strike again from his fox hole retreat, re-armed and ready? 

Then likewise turn my head downward, alit to a screen of options.     
 

 

photo credit:  beeroftomorrow.com

Bottoms Up

  

It’s true. 
Sometimes you must
start anew
from the bottom up.
And not just once.
But often
on a hunch
you climb the ladder
reach for that highest rung
fingers outstretched
palms wide flung
curled tips in anticipation
of a firm grasp
no trepidation
but slip
fall flat to the floor
bypassing rung after rung
the places you reached before
gripping with all your might
flashing before eyes wide
whirring in a smudge of time
shocked and numb
til bottom hits 
and you think it’s done
and it hurts too much
but the spinning ceases
the dust clears
and your body works
not barely broken
and your heart strength opens
once your mind obeys
so you rise again
like a burning wingless wren
clawing and clutching
fighting air and doubt–again
dizzying your stance 
hands out
feet unsteadily chance
the ground
for the grab
and reach it.
You clasp
the bottom rung.

  
credit:  http://blogs.ft.com

http://www.builderbill-diy-help.com

Mossy Love

  
Unlike the lascivious thrill seeking a staid life,

heel shadows squeezed in pavement cracks,

one replaces the gaps, pure continuous spill,

fills pores of emptiness, salty sea of exertion,

a satiety unknown til now, she, moss-ful mind.

I miss the way you walk alone apace with love.

 

credit:  http://ih1.redbubble.net 

On Writing as Suffering

  
Joyce Carol Oates claims, “The effort of memorable art is to evoke in the reader or spectator emotions appropriate to that effort.” And the effort is worth it. When our writing moves others, we affect, share and connect, thus confirming our oneness or perhaps experiencing that oneness as an ancient forgotten memory.

To reach out is to remember. The writer in all of us struggles to be understood through the code of language, a tricky bridge that requires constant constructing, honing, and refining to support the weight of ideas and experiences by which we convey ourselves to others. 

Writing is recursive, ever moving us backward and forward in thought and word–and in time.

Circling, it is an ever circling around the precise words to capture a specific piece of us we so desperately want to convey without misconstruction–that piece of the self we share using only the meager writing tools at our disposal. We search for words. Will this one mean exactly the same for my reader?
 
And the process of building sentences that flow into paragraphs, paragraphs into essays, is tedious. It takes patience. We must persist. Like herding wild horses, we must gather our unruly thoughts breaking wild in a hundred directions per second and corral them into the pen of ordered, confined blocks of coherent patterns. 

We must be painters and logicians both, fighting spirits within us.

credit: wikimedia

Day 4…

No sleep. At first I could not sleep for a reason, traveling, driving, moving on. Then I could not sleep for no known reason. A body rebels, becomes overwrought at the indignity of abuse, as if the parasite and host switch places.

Recreative plant and synthetic substances exist to induce a copy of the mind of the severely sleep deprived, only overlaid with some false euphoric-producing chemical. Surrealism must have been born in the condition of dust float watchers too exhausted to move focus. 

 

 
Like this:

Slatted windows, the verticals section the sun and leaves like an ironic cell, full of light divided.

Like the days waiting for deliverance–a package, a word, an acceptance, a surrender–the intangible falls prey to the patterns of urgent need, a tendency to sliver air, measure it up and pat it down, or hone it til it’s sharp and tight, acutely folded into square hours, minute feet, and toes of sleight-of-hand time.

The shape I am, even spaghetti strands of illuminating insight pass the day, squander the vision under scrutiny and sap the fight, a nap’s prelude. Only night crawls my skin with sparks. I’ll wait, multiplying numbers to the wheels’ passing golden trail.
 

credit: maimai.sega.jp

Time Travel

Travel Hangover–

Pouring damp memories over dying embers, 

anticipating the pop, sizzle and hiss of regret,

I refuse the temptation to stir the ash,

re-confirm the smolder hides no live fire.

Driving a rented van packed with her–

obstructed the view of road left behind,

held fleeting glimpses, speeding past blades

grass, roller, razor, “Did you bring knives?”

A mother reviewing, checking, fretting

the details whirring ahead to the horizon.

Unpacking the view clear, opened us up

to ponder, muse the hours in notes, little

cares, rehearsed sentiments, deficiencies

repeated with silent knowing nods, all said.

I play the game of focused movement 

to wile the hours, trick time to obey, my eyes

follow, attached to the point out there as all

else spins and races, rattles empty spaces ablur.

A splinter swollen sore and angry, riotous red

throbbed through a chipped thumb reminds me

I waited for you on wooden slats in the park

while you twirled a dizzy dance of fractured tune.

I stifled an urge to call out, make you notice,

but the stretching sound that circled us then

that moment I was churning in your disregard

of the world, of me, of the beckoning children

could not blanket the distance between us,

the one I carried up to your bed, squared 

to the wrong wall on the wrong floor in a room. 

  
 

Sharon Olds  

I Go Back to May 1937 (from The Gold Cell)
 
I see them standing at the formal gates of their colleges, 

I see my father strolling out

under the ochre sandstone arch, the 

red tiles glinting like bent 

plates of blood behind his head, I 

see my mother with a few light books at her hip 

standing at the pillar made of tiny bricks with the 

wrought-iron gate still open behind her, its 

sword-tips black in the May air,

they are about to graduate, they are about to get married, 

they are kids, they are dumb, all they know is they are

innocent, they would never hurt anybody.

I want to go up to them and say Stop, 

don’t do it–she’s the wrong woman, 

he’s the wrong man, you are going to do things 

you cannot imagine you would ever do, 

you are going to do bad things to children,

you are going to suffer in ways you never heard of, 

you are going to want to die. I want to go 

up to them there in the late May sunlight and say it,

her hungry pretty blank face turning to me,

her pitiful beautiful untouched body, 

his arrogant handsome blind face turning to me,

his pitiful beautiful untouched body,

but I don’t do it. I want to live. I 

take them up like the male and female 

paper dolls and bang them together 

at the hips like chips of flint as if to 

strike sparks from them, I say

Do what you are going to do, and I will tell about it.

 
credit: maphappy.org

Line

  

Hooked on believing I harbor no addictions,
 
I circle the perimeter of consolation.
 
Sure,
 
I smoked for years, 

but I stayed quit for years too, 

returned and stopped again.

And yes, 

lurching from bouts of drinking 

to sobriety and back may sound obsessive.

But absolution bears no compulsion

nor is it addiction. 

Or is it?

I cop to compulsions, 

short, 

fleeting ones like finishing things, 

completing what I started, 

books, courses, paths, dinner plans, 

stuff like that.

I used to obey rules for the hell of it, 

something compelling and lovely in the rule, 

the principle and the law emitting a magic that moved me.

Until I lost the lust for it, 

cooled on the perfection and rigidity of the line,

the truth of the right angle.

Balancing on the nuance of tightropes flashed a softer luminosity of right.

Since then, 

the lapping years ate those twists and flavors forward to calibration.

Now, 

I leap less, 

wheeze disbelief in equations like cause and effect, 

rules too tight

patterns as solutions,

no, 

not any more, 

the insecurity submerged, 

lost,

moored to the mystery of ignorance.

Dark matter. 

Yet the words

spill

pour me over the rocks and smoke me

chilled

heated

flaming swells of urgency

touch,

pick,

scratch,

gnaw it off the bone

and bloody ears of vein-hydrant flood quelling.

The irresistible line draws me

circumscribed and subsumed complete.

 
credit: https://keeldevelopment.files.wordpress.com

Pajama Strangle

 
 
Barely there, I lurked minutes, days, and hours

pretending meaning lay in dark, around a turn,

ever on the edge of understanding or knowing;

the condition of life, they say, that stretching on.

 
Naked I slept, too roused in a strangled sleep,

a mind refusing to rejuvenate in still idle stop,

pajamas abandoned for safety in the passage

to dreamscapes blind, conspiracy plot defused.

 
Exposed in button down, collared pajama shirts

to snuff a peaceful sleep in twisted neck tubing,

constricting dry breath with a cobra flannel grip,

plastic bullets embedding skin imprinted targets.

 
So, nude I slept, exposed in unsuspecting hours 

by day, vulnerable to negotiate the middle path,

invisibly drawn with white ink on scalloped seas

foamy, colorless and frigid for all the life it holds.
 

There you slept with me hanging on for dear love

afraid to let go even in death to loosen your hold,

your legs enwrapping mine in immobilized sleep

beckoning childhood’s grip on a pajama strangle.
 

 

credit: image04.deviantart.net