Game 

zero-sum

Your move. Now mine.

Yours, mine, yours,

we play politics, soccer and love.

Games of words and alignments under-girded by

luck, skill, wiles, wit and speed, overlaid intention,

drawing a letter, or a trip and cheat,

fallen, kicked and stalled, all tactics:

dive, grimace and grovel.

End goal?

Save, fail, score, win, promote, chest-bang, leave, shout,

cry out your props, boost your stature, grow tall and shiny or

make other plans; just so you know

might makes right

might makes right

might makes right.

You’re damned right.

No one ever won quietly fostering

connections and alliances, powerful

listening before empathetic action.

Subtlety, often like soccer games, ends

scoreless, some zero game.

 

Image: zero sum portent

Not all children are poets

Not at all children are poets, but some are.

I remember my four-year old saying, with gravelly complaint and

consternation as we rounded the last lap of tract homes from the 

neighborhood park, “It feels like there’s an elephant in my shoe.”

Those days, I was not a poet myself, so I simply took off her shoe

to see what was the matter, what was in there, a rock or a sock?

Neither of those could possibly be the size or weight of an elephant

but I skipped right over the poetry and assumed the play out of it:

She just meant that something was slowing down her gait, some

obstruction that was making her walk like an elephant, and that

full explanation did not even articulate in my mind, just swallowed

up in the patching up holes and problems, as parents are wont to do.

 

And then those hours of “Mother Goose” nursery rhymes that 

pleased and placated my tiny joy-riding song and wordsters who

pleaded, “Again” after we’d go through the entire night’s rhymes read

before bed time, and all I could think was, “What does this mean, 

‘hickory dickory dock’, mice, clocks and ‘Little Jack Horner’s plum’, 

dishes eloping with spoons and cracked “Humpty” eggs that garnered

so much respect that all the king’s horses and men came to its aid?”

My mind drifted as I sang-sung the words that were impossible to

read plainly, prosaically–meter forced down the reader’s tongue and 

bones–through history, fairy tales and folktales, lore of

cultures and small pockets of rural societies past when these words, 

rules and references made sense, all the while losing the music that 

kept my poetettes lulled to the opiate rhythms of story-song silliness.

 

Only when I noticed their wobbling knees and fatty little fingers 

opening and closing like metronomes to music I forgot to hear, the

pulse of primal iambs that beat like limbic hearts, laughter-ful, wordless 

sense, even while my lips, breath, voice, tongue and ears decoded and 

reproduced the text just as it was meant to be read–filled with 

drama, pause, whole notes and half notes, lento and allegro, 

ha-ha! loud and sh-sh soft as we three piggies word-danced, they

with their poet souls and me with my mimed mastery of lines.

Stillness and Presence


“At the still point of the turning world. Neither flesh nor fleshless;

Neither from nor towards; at the still point, there the dance is,

But neither arrest nor movement. And do not call it fixity, 

Where past and future are gathered. Neither movement from nor towards,

Neither ascent nor decline. Except for the point, the still point,

There would be no dance, and there is only the dance.”

T.S. Eliot, “Four Quartets” 

The dance is ongoing. It is presence. It never was nor will be but at the still point of our ever turning, evolving world–that is us. And the dance is lovely and freeing if you stay there.

The Art of Lovers’ Lessons Learned


A lover once taught me shapes of fair, fragile snowflakes,

Their pockets of space designing mass and configuration

As much as frozen rain mists, cloud-fallen and drifting.
**********************************************

Another one telescoped me the distance and size of stars,

Colored me planetary pictures of rings and ovals, spheres

In spotty galaxies smudged by gaseous gems on sky maps.
***********************************************

One modeled his lessons to me in structured time slots,

Configured inside meetings and lunch, clocking out hour

And over-time pay shifts, allowances for home absence.
***********************************************

And yet another, this one, schooled me in the art of love,

A rare calligraphy of swirling letters adorning words in

Poems and stories that beat true passion into thick skin.
***********************************************

All of these and more have lent a lesson to have and hold

By imagery water-colored on silk screen partitions placed

Between my heart and ribs, thighs and brain, sculpting me.

Dance, Abe.


Hey there, 6 foot 2,

You’re the legend I 

Never really knew,

Just tales and arms

That wrapped me up

In dreams disarmed.

At least I think so,

Childhood being all

Those decades ago.

No matter still, as

Memory lays bare

A wild man’s stare

And disheveled hair

From too much work,

Sleepless nightmare,

Slaving for the jerk

Who paid pennies

For our family of 7

And zero amenities

Like air, health, ice

Or places to sit and

Eat, but for the mice

And rats and broken

Windows in summer

Through winter then

All over again you

Worked and worked

Like honey bees do

Except for the sweet,

Endless years toiling

Making their mark on

Sharp minds unfolding

Like cards in a deck

The ones spread before

Your outstretched neck

As you glance at a play

Grimace in your mouth

And hunch in your sway.

Time, cards, pills, and

Withering you rue it

All, taking for granted

Though you may intuit

That all you worked

For in shaving off days

Return in unseen perqs

Of watching the world

Change as you leave it

For survivors to unfurl

And laugh at the effort

Knowing it’s fruitless.

I watch you watching

Me with that wry smile

Sneering, laugh, a poke

A jab, a joke just to rile

Me, anyone who’ll hear

And play the game of

Conversations unclear,

Skills you never master

Unbothered to learn its

Nuanced turns faster.

But here you are 82

And not worse for 

The wear as you do

Your days like song

On repeat every hour

Seeking to belong

Longing for your arm

Missed as she’s gone

And none to replace 

The world you built

Sweat leaving no trace

Of life fretted in years.

Though sad and sagged,

You have plenty of life

To give, receive, begin

Again if you so wish,

Children, grandchildren

Happy that you exist 

As am I who love you

With much heart, laughs

anger and admiration too.

Happy Day, Father, to you, 

Dance the potato chip dip

Crazy, ape-shit, Abie-poo. 

 

 

Medicine


To the doctors again, I loaded the car with the wheelchair and its 

inhabitant and the inhabitant’s 62-year marriage distracting mate.

My dementia-ravaged mother’s caretaker naturally came along.

She and I lifted my mother’s stiff resisting 95-pound taut body high

into the van, me pulling from the seat above, she pushing from

the cement driveway below, the two of us nearly thankful she has 

wasted to such an accommodating weight, making the task feasible.

 

On her wedding day, she was 95 pounds, so my father repeats to

anyone who will listen, including the new neurologist who observes,

examines my mother while my father offers his opinions in a blared

recital of facts: “She was an English Major and wrote a thesis on, on…

Saul Bellow. It’s in Long Beach in the school somewhere. She was a

good wife. The best you could ask for. But you never know how much

you have in a person until she’s gone.” And so goes his secular litany.

 

Struggling not to once again remind him that she hears and is alive

and beat down the growing irritation, I explain that she fractured 

her shoulder somehow while in a nursing home and so protects it.

The doctor nods, hmmm’s and continues manipulating my mother’s

rigid limbs, tries to uncurl her fingers long-ago cemented into C’s.

She murmurs her observations in one word confirmed diagnoses: 

“Spasticity…atrophy…tremors…neuropathy…” as she plies tissue.

 

My father answers, “Her left arm doesn’t work at all,” when the 

neurologist inquires about body movement, and I snap, “Not true.”

I shush him a few times as his need grows to run the show, talk to 

someone who will hear what he repeats like a skipping vinyl record, 

evoke sympathy from new flesh (the same old audience tires), 

release nervousness or some other cause of his inaccurate, 

inappropriate and irrelevant comments–and I immediately soften.

 

He needs so much too, but then he has always stolen more from her.

The pink and blue light sabers clash in stinging zaps inside my body.

She is a White Walker sans the unstoppable malice, with bones 

for a face and fallen flesh failing to disguise human skeleton, I muse.

 

In the car trip to the office, she sneezed, and I marveled at her voice,

the familiar sound of her reflex, which flooded me with spinning

memory flinches of every moment I had ever heard it, pouring

gooey thick amniotic washing into the bones of my sense of time

and destination, the immediate and outward, unknown, unseen.

In Arabic death ritual, relatives painstakingly and lovingly wash the
 
corpse to send it onward in its journey while leaving blessings behind.

 

But the miasma of missing Mom living right before my eyes, mouth,

nose, ears and skin, who I touch and purr to and who sometimes

gaping-mouthed, wild eyed, crazy-toothed, lopsided smiles at me with

oh-my-God-of-the-moment recognition, cherished, ecstatic familiarity 

and connection for us both, confuses us, me, who churns with the incongruity 

and daze of seeing him well enough to complain, repeat the same jokes and other 

grating, mindless habits he has long held, and just as long refused to change–

 

and yet see him as short-term too, gone in a cardiac flash or in interminable dribs

and drabs of life-leaking, irrefutable, genuine  horror for him, me, everyone but 

the doctors, nurses, pharmacists, technicians and equipment and drug 

manufacturers who gain from decay, his, theirs and ours, the dying.

 

At home, I hear the wheelchair wheels squeak by as my 20-year old

10-months now concussed daughter, chair-splayed, giggles at the electronic 

buzzes emitted from her palm’s worship, the small God of life she knows, 

my mother never knew, its advent arriving too late, my father acknowledges

then glances away from, its mystery blinding, and I know far too well, prey to 

its opiates, but not enough to forego profit and sneer nor succumb to its disease.

Shall we call this nature and proceed with a sun-spreading daylight’s delivery?

  

    

Love, don’t hold my hand


Standing in line, wondering if it’s my time, if I’m next.

Horror dominates the mood of this meet-market place. 

How many times have I walked hand in hand with her

strolling in the night along busy streets, on the beach,

arm and arm, not a care what the world around us was?

She once asked me if I were afraid. “Of what?” I asked

then genuinely confused at the context of her asking.

She knew because she was no Johnny Cum Lately like

she found me, days when I thought we were so free to

love anyone, our choice, our lives, nobody’s business.

That was then, before the killing, so now I understand

her hesitance, reticent PDA despite her overwhelming 

urgency to touch me, keep me close and hold my hand.

Now I know how much I never knew what it was like to

clasp your hand to the back of your neck to smother it,

 the burning, piercing glances and hateful lookaways 

and disgust, unknown to me, a judging by appearance, 

though I never hid my femme, wore it loudly just like I 

wear that tremor of hateful contempt-tossed-at-me-

cringe once someone knows my tribe, the most stead-

fastly, longest-standing hated people in all the world.

But since I did not reveal it in my skin nor my love life,

I was freer than those targets who had no choice but to

be who they were, but to love who they loved and to be

fluid bodies delighting, sensating and breathing light

by which we all create our mad comedies and tragedies 

called our civilized, social, contractual, consensual lives. 

Believing I was anyone’s everyone, I was simply wrong. 

I’m noone’s; I’m in between everyone–not any where,

watching the others duck and dodge bigots and bullets. 

 

Funeral Song for a Friend


Skinned raw, bleeding, humanity’s keep limps illogically along,

Leaking the source first in torrents, later in eviscerated rivulets.

No tourniquet wide, twisted nor absorbent enough to suck it all.

No One can gather it up, mop it up from the dance floor, untie it 

From the back alley fences or unstain it from the consciences of 

Ignorant name-shamer, tunnel-visioned politician or us cowards.

No formulas, statistics, truths or lies will rescue the dead-harmed

When ends and means are meaningless as exhorted truth-slayers,

When ebony bones shine word shadows projected upon the screen 

Of the inner war we wage, brushing aside ivory clarity like clouds 

dispersed in sneery derision, campaign slogans and catchphrases,  

One mind and only one will change the hearts of all, only one-kind.

When will dress rehearsals end and the real revolution begin–again? 

Story Line

image

It’s the same old story told and re-told,

Thin smoke, a fire sparks newspapers sold;

“We’re up in flames; this place is doomed.

Who will scrape our souls from the ruins?”

 

Truth be souled, we scale our weakened edges,

Lurching through time, jumping off its ledges

In silken ticks, slick with moist memory mold

Like a baby’s crown bridging gaps grown whole.

 

Since the plates never cement, never solidify 

Merely surrender the quest just to realize

How little matters matter in the big scheme:

Unceasing cessation’s sensation’s our dream.

 

So forget about alarm bells and anxiety spells,

Smoke, pills, drink and dare-to-extreme thrills

To awaken sensate waves alligated to a vision 

When real proof appeared at the first incision.

 

At the flash, burn and expulsion, too hot to stay

A core so full of inevitable dispersion to always.

That’s life, I’m told, living between fire and ice   

My story and yours, again, and rolling the dice.

 

Chaos, our freedom, this overlaid order a fraud,

Some call it nature, some karma and others God.

I call it “whatever” or “ok”, often I call it a day,

To rein and saddle numbered hours’ silly anyway.

 

The ending never arrives, the plot never unfolds,

That’s the same old story told, retold and untold

Since the steadfast mute, reveal no master divine

Across the divide no dying secret passing the line.

 
Image: http://www.designedforlearning.co.uk

H.D.

Debating whether to post a clunky rhyming poem (I’m no good with rhymes) I churned out last night for today’s post, I came across this poem on my daily feed from poets.org. 

I first read H.D.’s poetry in a University of Calilfornia, Riverside, graduate school course on confessional poets in 2004 or 5. I fell instantly in painfully beautiful love. The incisive, careful cut of an  exquisite mosaic or tapestry suggestive of eternity in the local is how I describe her poetry. You can see the source of the delicate angles of her words reflected in her face: the keen eye, angular nose and chin, all projecting intense insight. 
If memory serves, Ezra Pound discovered or fostered her. I’m glad someone did, so that I could find her centuries later. Hope you enjoy. 


Born in 1886, Hilda Doolittle was one of the leaders of the Imagist movement.
Sitalkas

H. D., 1886 – 1961
 Thou art come at length

More beautiful

Than any cool god

In a chamber under

Lycia’s far coast,

Than any high god

Who touches us not

Here in the seeded grass.

Aye, than Argestes

Scattering the broken leaves.