First Cut–
Perhaps my father was the first,
with his absence,
except for the rare storms from his daytime slumber
to terrorize us into quiet so he could sleep.
I once got caught in the cross fire of his flying hands.
I was not yet 3.
My older sisters squealed and screamed him awake.
But I was too naive to run.
Before that, he was the myth my mother made us believe
about fatherhood and tender love.
First Cut II–
Another one I summons from memory caves
was the gorgeous boy
with the ass long shiny silk brown hair
and tan flawless skin sunk into Italian brown eyes.
I was 13 and he 15.
He paid me attention, walked with me at night
on a quiet moon-lit road named Candlewood as we
murmured our intentions, our future married selves
–or I did.
I couldn’t believe he was interested in me, a brainy
average-looking girl with the wrong kind of hair that refused
to hang long and straight from a middle combed part.
And a week after that walk under the old gibbous moon,
when I told him I wanted to marry a bodily lover,
he failed to appear, non-responsive, ghosted–
and I cried the cliché with a painful heart, torn
and scorned, never to be stabbed the same again,
my pillows my week-long companions in sob-town.
First Cuts–
Though others made Caesar of my heart, dagger
hurlers and stabbers, I remember them vaguely.
Not like the first cuts, the baptismal soul’s sarcophagus.
On the Heath: Poem 13
Alone on the Heath, a purple flower
where there once was dry reedy sand,
you, friend, rode the train to dusty plains
with me–and slept through shifting tides
along California beaches, we two, strangers
to this land, and no less to each other.
I watched your sleeping breast rise and settle,
like the rhythm of our first freedom days, lazed
into adulthood, we seekers of flame, depths
of our soulful hearts, walking poetry, youth
alluring to each other–comrades–and evil too.
I saw you leave that day, through cloudy eyes,
music, sand and weed drifting us alongside
our own nature, me, cautious and calculating,
ready to loosen within my comfortable shoes, and
you, riddle’s answer to: What is freer than free?
Air.
Who has stolen your breath, my flower?
Sleep.
Your forever frozen face stills time in its place.
Daddy Deep
What sound makes hollow deep?
Not quite sound at all,
It is a missing knock,
Soft and insistent,
Knuckles weak.
A buzz of silence
Just about where the t.v.
Lies blank and mute.
A sneer faded to black
And a joke told 10,000 times
With a missing punch line
Or vaguely remembered,
Souring the laughter.
Questions unrelenting and inane
Will one day go unanswered
Not for lack of interest,
Raised eye brow,
Rolled eyes, but
For want of asking.
Some day the house
Will die without you,
Emptied of its anchor
And upturned root.
That day will gut us,
No doubt, but not today.
Not this day.
Losing one more time
In keeping
Autophony: The sound of living inside a mother’s dementia
I scrapped together a few writings I blogged over the year and produced this piece that was published yesterday.
Tripping on sounds, I hear birds outside my window, muffled, over the swish-throb of a heartbeat in my ears, a pulsing slightly alarming and soothing all the same. I also hear a dish clanking outside the closed door of my room, emanating from the kitchen where I imagine my mother is sitting, skeletal and serene in her wheelchair, gazing off through the filmy stare that inhabits her face now. The cataracts of her mind’s eye reaches some unknown space outside or inside her head that swirls and lulls the cerebral juices to twitching stillness, her jerking to and from that space in split-second recognition of a face, idea, song slice or voice. I imagine her waiting like the baby bird with beak wide open in anticipation of its mother’s nurturing tongue, depositing the meaty worm of egg or pear. She is spoon-fed…continue here.
Mossy Love
Unlike the lascivious thrill seeking a staid life,
heel shadows squeezed in pavement cracks,
one replaces the gaps, pure continuous spill,
fills pores of emptiness, salty sea of exertion,
a satiety unknown til now, she, moss-ful mind.
I miss the way you walk alone apace with love.
credit: http://ih1.redbubble.net
Time Travel
Travel Hangover–
Pouring damp memories over dying embers,
anticipating the pop, sizzle and hiss of regret,
I refuse the temptation to stir the ash,
re-confirm the smolder hides no live fire.
Driving a rented van packed with her–
obstructed the view of road left behind,
held fleeting glimpses, speeding past blades
grass, roller, razor, “Did you bring knives?”
A mother reviewing, checking, fretting
the details whirring ahead to the horizon.
Unpacking the view clear, opened us up
to ponder, muse the hours in notes, little
cares, rehearsed sentiments, deficiencies
repeated with silent knowing nods, all said.
I play the game of focused movement
to wile the hours, trick time to obey, my eyes
follow, attached to the point out there as all
else spins and races, rattles empty spaces ablur.
A splinter swollen sore and angry, riotous red
throbbed through a chipped thumb reminds me
I waited for you on wooden slats in the park
while you twirled a dizzy dance of fractured tune.
I stifled an urge to call out, make you notice,
but the stretching sound that circled us then
that moment I was churning in your disregard
of the world, of me, of the beckoning children
could not blanket the distance between us,
the one I carried up to your bed, squared
to the wrong wall on the wrong floor in a room.
Sharon Olds
I Go Back to May 1937 (from The Gold Cell)
I see them standing at the formal gates of their colleges,
I see my father strolling out
under the ochre sandstone arch, the
red tiles glinting like bent
plates of blood behind his head, I
see my mother with a few light books at her hip
standing at the pillar made of tiny bricks with the
wrought-iron gate still open behind her, its
sword-tips black in the May air,
they are about to graduate, they are about to get married,
they are kids, they are dumb, all they know is they are
innocent, they would never hurt anybody.
I want to go up to them and say Stop,
don’t do it–she’s the wrong woman,
he’s the wrong man, you are going to do things
you cannot imagine you would ever do,
you are going to do bad things to children,
you are going to suffer in ways you never heard of,
you are going to want to die. I want to go
up to them there in the late May sunlight and say it,
her hungry pretty blank face turning to me,
her pitiful beautiful untouched body,
his arrogant handsome blind face turning to me,
his pitiful beautiful untouched body,
but I don’t do it. I want to live. I
take them up like the male and female
paper dolls and bang them together
at the hips like chips of flint as if to
strike sparks from them, I say
Do what you are going to do, and I will tell about it.
credit: maphappy.org
Professor of Cups
Professor of cups picks off the dust from chairs
and washes the filth from sieves and tunnels
when once she polished prose and persuasion.
Professor of swedish fish, marshmallow bits,
coconut hairs and pillow cushioned seats, she
bleaches the silverware shiny sterile grade A.
Professor of mourning the days of harrowed fear
salting agonizing dread and jittery legged angst
when dirt dwelled only in systemic sly dealings.
photo credit: https://pondermortality.files.wordpress.com/
Stitched Poem of Lost Word
A word came to my mind today in chimes
where wood reeds stood sand tall in pairs
like lovers spun in airy tales of olden times
when hearts sang of heather seed prayers.
But the word flew past as echoes’ remains,
rang void vacuumed sound inside the gaps,
hollows down from which arise sad refrains,
and compressed steely safes, worded traps.
No words came by today in orange branches
only windy specks prickling chapped cheeks;
a sun stole glitter flecks on roofs of mansions
and barren pop songs dribbled old lyric leaks.
Language lost mourns words gone dry before
a poem’s purl through a keyhole’s open door.
photo credit: http://www.scottishpoetrylibrary.org.uk/