Medicinal Embrace

  
“I hate when someone cuts me off, and then flips me off as if my very existence provoked the act.”

She nods, not lifting her eyes from the words on the screen, and mumbles a “hmmm…”

“But the worst part is that I get so angry about it, cursing out loud, speeding up, trying to make eye contact to give the person the stink eye and stab them with my utter disgust. Why would I even care? Why would I make myself so worked up?”

Still bathed in the glow of the screen and not looking up, she responds distractedly, “I don’t know.”

“And I immediately check myself and wonder how I could lose my cool like that, let someone just take me out of myself into the hate zone. My thoughts get ripped from wherever they were to this horrid place some stupid stranger took me to–with my permission. It frustrates me that I cannot resist…cannot NOT react.”

She looks up from the computer, and turns all the way around in her chair, 180 degrees, and faces her now–she with her back turned who rummages through the refrigerator as her complaints dissolve into questions that perplex the vegetables she picks up one by one–broccoli rabes, Japanese eggplant, and summer squash–examines and then shuffles to the far side of the shelf.

“Then my reaction to having reacted like an ass, an overly angry ass, is even worse, just berating myself for being out of control and habitually reactive. I mean I just want to let these things pass without getting my adrenaline pumping—just once. But the whole thing is just one big ugly pattern that I can’t change….ingrained, like….a disease…Have you seen the…? I think I put it…

Oh! I didn’t hear you sneak up behind me. Aw baby, that’s so nice…you’re so toasty warm. Just what the doctor ordered mmmm…”
 

credit: http://www.annashukeylo.com/

Shhhh…

  
Shhh…don’t tell anyone.

I have a long, torrid relationship with her, my mistress and master both. I submit to her daily, as she owns me now. Though it was not always that way. She once hurt me badly, my heart and body, which caused us to part ways for many years, close to twenty, in fact. But I realize now that she had something to teach me, a lesson I needed to learn about myself–and her–before we could be together, merge our lives seamlessly into the desire and need we are about today.

I met her as a teen with big ideas. I was sixteen then and drawn to everything and everyone I measured as cool, earthy, and spiritual. I read about her in a book I purchased second hand from a used bookstore, and I was immediately lured to her mystique. There was something there I did not understand but wanted to know more about. So I read and learned about her, imitated her every move to earn me my cool. Until one day, I met her.

She was all she was cracked up to be at that first meeting: sexy, lithe, strong and flexible. Muscular and compact, she appeared the picture of youth, while she breathed ancient wisdom, emitted it from her pores. I was astounded and flustered in love.

And though our meeting ended then, we met again, and then again…for awhile…until the pain. 

I had to learn the hard way, as I always have. I was arrogant and needy. Not one to be forced and taken, controlled and overpowered, she left me howling, bedridden for months, depressed and injured. The love affair ended in the slow drip of time it takes to heal a body and mind.

When we later met again, I had changed. She had not. But my approach to her differed then from the earlier times. I did not need her, merely wanted her. I penetrated her eye to eye, then bowed. That made all the difference between us.

We co-exist now, as one. Since our reunion five or six years ago, she has never left me. We live with and through one another.

When I am down, face down to the ground but hips high to the sky, she takes me, makes my breath grow steady and strong; she makes me weep sometimes like this, too much to hold, my arms arrested for the weight of my body. She buckles my knees sometimes, how she holds me in her grasp, in her heart and her embrace, me and all who love her, whom she loves. And she loves.

 
credit:  http://ih1.redbubble.net

Mossy Love

  
Unlike the lascivious thrill seeking a staid life,

heel shadows squeezed in pavement cracks,

one replaces the gaps, pure continuous spill,

fills pores of emptiness, salty sea of exertion,

a satiety unknown til now, she, moss-ful mind.

I miss the way you walk alone apace with love.

 

credit:  http://ih1.redbubble.net 

The Painters of Love: Loving a Married Woman

  

I adore Anna Pulley’s story ache of loving the married woman, which appeared in Salon yesterday. She not only captures the essence of the thin-tissue-beauty of love, the compulsion of the affair, the ever-turn of the heart toward love, but also the crafter’s gift of the memorable passage. Like this one, for instance:

Ours was a love that hinged on possibility—what we could offer each other was infinite potential. Reality never stood a chance against that kind of promise. I loved her in a way that felt both inexplicable and inevitable. She represented a singular perfection, she had to because she contained none of the trappings of a real relationship, the awkward, the beautiful, the sweet, the ordinary, the holding hands in public, the quiet walks, the bickering at Trader Joe’s. She was perfect in part because she was an escape, she seemed always to offer more.
 
After an enticing lead-in about long-distant love and steamy encounters, she delicately moves us along the strip tease of her narrative, the movement from reflection to memory slip-sliding her narrative along with the tensile desire of an abandoned lover simmering sleight over time. She does not call herself a lesbian until two thirds in to her lovely essay. She wants to soften us to love first, to focus her reader. A concerted effort to steer her  reader’s mind from irrelevant drift she anticipates–detours like same-sex relationships, polyamory and the like, she withholds. Her story is of love, despite the title–all love. And imagery.
 
Fantasy. The addiction (cynical), the lure (soft), or the attraction (clinical) to the love of a “taken” one lies in the fantasy and the primal urge to create more compelling than procreation (fewer responsibilities to the aftermath).
 
We love to idealize love, to be in love, to make it and create it even where it does not exist. I am not suggesting that the love of a married woman ignores the woman, the being, for the objectification of love itself. People mostly fall in love with people, their features, physical or otherwise. However, the framing of love inside the circumstances of the beloved–the out of reach object–often plays a larger role in the picture of love we paint.
 
The interdiction (legal), the forbidden (moral), and the circumscribed (situational) of the affair seduces the painter in us. We who urge the perfect love, inch closer to its never realization by placing love in an outline, form or box with walls of pristine ideals and requirements. I love my lovers because they are who they are–funny, sarcastic, sensible and sexy; because they love me the way they do–with abandon; because they engage in the most intimate acts with me, thrill my very being and inspire me to create, live and aspire to contribute to humanity–go to work, raise my kids, change people’s minds. They make me feel.
 
They never sour, fall from grace before my eyes in the daily practices that make us all abject beings: ever cleaning the rotting flesh we are in the pettiness of hourly living. We belch, shit, blame and deflect responsibility. We lie, cower and deny. The human.
 
Not for the mistress of our getaways. Whether the encounter is a sleazy hotel sex hour or a week at a resort in Cancun, we project our ideal loves in that other we cannot keep, probably do not want to keep except to indulge surrender to the painful satisfaction of longing. Weaned on love stories and poetry (okay, maybe that’s just me), we grow to yearn, throb and grieve. Pain, like love, reminds us what we are. Affairs bring all of that and more.
 
I once read that our memories change each time we recall them, that we are constantly editing what happened. In the end, we can’t hold onto anything, not love, not even our own truths, because everything moves. Nothing is ever written just once.
 
Yes, we are artists, all of us. Human nature, the essence of frailty, tells the fallible story of its tellers wrapped in the egos of an imagination. We want. That is our condition. Our art is our necessity. We love to be loved in the art of love. And it is an art.

A Sudden Slant of Cynicism

  
“We toggle the gas pedal of politics between zealotry and apathy,” she complained. “One day we parade in protest for rights, wrongs and indifferences of some group, some perp, some activist, some governmental faction that failed or should not even exist, and the next day we go home and order up Chinese, bitching about how long the delivery service takes to go two city blocks.”

Her dilated pupils betrayed the calm cynical shellac of her words.

I wanted to reply with something equally poised and stunning, but my mind was stuck on crystals. Sometimes I get like that, in a mental tic. I read that quote by Stendhal earlier. 

What did Stendhal know about the process of crystallization, of solutes and nuclei, when he  teased out the strands of love, a taxonomy of four–the usual suspects like passion, ego, appearance, and lust? Something like that.

“I call ‘crystallization’ that action of the mind that discovers fresh perfections in its beloved at every turn of events.”

Delusion. 

We submerge others in the playground of our projections, our imagined lovelies that just get lovelier–because we want it so.

Objectification.

Sylvia Plath wrote plainer (“I think I made you up inside my head”).

“I believe you,” I replied to fill the lull of exhaustion her statement left. “So what are we going to do to change the world? Order lunch?” 

I chuckled.

She stared through me, and my thoughts squinted, wondering what lay behind me.
 

credit: https://marlonjbradley.files.wordpress.com

Pajama Strangle

 
 
Barely there, I lurked minutes, days, and hours

pretending meaning lay in dark, around a turn,

ever on the edge of understanding or knowing;

the condition of life, they say, that stretching on.

 
Naked I slept, too roused in a strangled sleep,

a mind refusing to rejuvenate in still idle stop,

pajamas abandoned for safety in the passage

to dreamscapes blind, conspiracy plot defused.

 
Exposed in button down, collared pajama shirts

to snuff a peaceful sleep in twisted neck tubing,

constricting dry breath with a cobra flannel grip,

plastic bullets embedding skin imprinted targets.

 
So, nude I slept, exposed in unsuspecting hours 

by day, vulnerable to negotiate the middle path,

invisibly drawn with white ink on scalloped seas

foamy, colorless and frigid for all the life it holds.
 

There you slept with me hanging on for dear love

afraid to let go even in death to loosen your hold,

your legs enwrapping mine in immobilized sleep

beckoning childhood’s grip on a pajama strangle.
 

 

credit: image04.deviantart.net

The Lover’s Leap

  

I am sorry.
 
I brought her into bed with us again, she who worries 
too much about her breath and her b.o.
 
all the wrinkles of offense, she who cringes at the thought,
the very idea that she may be seen,
 
imperfect as the smoke hiding the fireworks the other day,
left a trail of sooty stink looming,
 
threatening to mar our view, dim the shiny glee of us.
And now you know.
 
Though the end is not the all, not the being or culminating cause,
we were groomed to believe so,
 
such that her presence stays me, stems the flow, ebbing waves,
impenetrable shield, a barrier, firm and illusory, still
 
and empty as the notion that we need to be THE image
the key to keyhole fit
 
when with a flick of a switch, lights on to view the truth
veins and skin and twisted mouth
 
invisibly drawn to be erased in one full sweeping hearty sigh
honestly gut-of-the-mind uttered
 
by body belief in beauty larger than sight
holier than the mountain
 
we delve in for deliverance in undeniably desirous delight
release and respite, fulfilling
 
in its wholeness, this acceptance, this release, 
this trust in blind care
 
for the principle, for the knowledge of us we share 
enfolded, in threaded limbs
 
that nothing but fear she wedges between permeable doors
open-shut as the thought leaping over the falls
 
cascading down an embracing grip caught in the pupils’ deep
in careful sense, fragile fortitude as the spine of a lover.
 
 
photo credit:  static.yourtango.com 

When You’re a Grown up

  

My daughter and I were at the frozen yogurt store the other day when we overheard a boy about five years old say to presumably his mother, “I can’t wait til I’m a grownup!” Not exactly sure of the context, but I believe his mother had just conditioned his frozen yogurt choices on being old enough to know what was good for him.

Though the exclamation produced a smile on my face, my 19-year-old-off-to-college-this-week daughter quickly turned to the boy and said, “Don’t rush it, kid. You don’t know what you’re asking for.” And she laughed so as not to terrorize the boy.

I turned to her and asked, “Is it that bad?” She nodded, yes.

I know the anxiety of living away from home for the first time preys on her nerves, playing a checklist of to-do’s and what-if’s in her mind on endless repeat. I feel her.

She and I differ that way. When I left home, I had no thoughts. I left on the sheer will of want: whatever I wanted. It was only after I left that I began to worry as I realized I had no idea how to write a check let alone balance a checkbook. I had only one experience with a bank: a savings account my mother opened for me when I was in junior high, one with a little blue, firm-covered, palm-sized bank book in which to register deposits and withdrawals. I remember how grown up I felt then. But that bank book, regulated by my visions of large purchases and the change in my mother’s purse divided by four, did little to teach me about pooling money in time to pay rent, feed myself and pump gas into my car. 

I learned, especially after a few months of barely living on graham crackers and cottage cheese or peanut butter. A visiting uncle, a psychologist  from Texas, remarked to my mother at one family gathering during that time, “Does she have anorexia?”

Burning by my own mistakes was my way. Still is. So long as they were mine. My mother did little to prepare any of us five children for the world as she protected us–wittingly or unwittingly–from the responsibilities of grown-ups, cocooned as we were in our middle class suburban neighborhood.

Maybe it was the time too. She stayed at home and cooked for us, washed our clothes and poured our milk for us. I remember telling her one day in sudden astonished awareness, “Mom, I’m 12. I can pour my own milk.”

My children did not grow up the same way. Their parents worked and so had to fend for themselves more. Even when I worked from home when they were small, I advocated for their independence. As soon as they were old enough to complain about what was for dinner, I let them know they could make their own if they did not like what was on the menu and then showed them how to use the stove. 

I am not suggesting my kids are not over protected or spoiled in other ways, however. While my parents had no means to buy their children things we nevertheless asked for, my kids have had more money given to them than I had. Growing up in a one-wage factory laborer family, we became accustomed early on to the idea that any material items we wanted would have to be purchased by our own means. I worked mowing lawns, helping my brother deliver newspapers and babysitting from the time I was 8.

My daughters, on the other hand, were raised to believe their grades and sports were their jobs, that they had too many years ahead for the paying jobs that they would eventually have to report to daily. “Don’t rush into working,” I always said.  

So my 19 year old has had a job for a year now; she worked part time while attending the local community college to pay for her car, books, concerts and clothes. I know it has been a stretch, the responsibility, though I know it hasn’t been a shock. She is used to budgeting her time and her resources, having been over-scheduled since she was 6 with soccer practice, piano lessons, school, and whatever the day’s playdates or parties brought.

But it is not the practical how-to’s or what-to-do’s that have her worried about moving out. I know it. She can figure things out, and it isn’t as if she is completely cut from the cord. Smart phones have kept us connected for years now anyhow, near or far. I group text my daughters to come down from their upstairs perches (more like second-story caves) to dinner (when I cook).

Nope. What she fears, I imagine, is what we all do. Doing it herself–whatever it is. The psychological state of being on her own, which prefigures the time when she will be truly on her own, no parents to call upon for a word of advice or a few bucks (or few hundred) to carry her over til payday, is the foundational fear–of death, first others and then her own. 

Not to be too dramatic, but Freud did not get everything wrong. Death and sex are primary human motivators. Everything that drives us is rooted in either or both. 

When my daughter goes off to college, it will symbolize that eventuality (hopefully far down the line) of being on her own without the umbrella of parental love. She will experience it as a mix of anxiety and excitement. And even as she will be making her own love, whether parenting or not, which will occupy enormous space in her mind and heart, she will one day yearn–even if it is just for a moment—for a time when the burdens, seemingly too heavy to bear, were barely perceptible just as they were lurking, unnoticed, above her childhood, as she splashed in an inflatable pool in the backyard and wondered what was for lunch and if she would ever not be bored on endless summer days.

I know I have.

And perhaps my mother, sitting among us near motionless in the skin of a fading light, silently reminds her, also symbolically, that connections run deeper than the physical–etched like the voice that called her to dinner at night all those years of play and idle dreaming. Even when the voices are silenced into memory, beginnings and endings forge life forward even as they fall backward in the marching on.