Love is not a Rose but a Choice

  

The marriages that last are the ones in which the two members regularly develop (but do not act upon) extramarital infatuations.

I read that today in Maria Popova’s review of The Folded Clock: A Diary by Heidi Julavits in Brain Pickings. What is it about love’s excess that it cannot be contained in one person, for one person, that we need to spread its spillage on to still others and other things in so many shapes and forms? What is this thing that we toss at humans, materials and ideas indiscriminately? I love my children, my new car and Shakespeare’s sonnets with strength and passion and tenderness. Yes, the car too (when I had a new one). Love is the excess, the overflow, always needing outlet. We live in the throes of love. Anti-love is its darker side though no less derivative of love. 

This, of course, makes sense — we know that love is a mode of “interbeing” and a “dynamic interaction” in which the opportunity to choose each other over and over is what sustains the longevity of a couple’s bond.



Love is a choosing
not a rose so named
a choice of days
one which I choose 
and you choose
hopefully together
maybe the same day
to select you, me
as your moor and mate
coddle and cure
each day every day
when the mood strikes
smiting sense and pride
plucking at frayed seams
with disdainful eyes
yet believing still
in inversion’s conversion
a matter of mind
in the seeing eye
inside the skull
crossbones of ill
to parallel sides
arm in armed
concave to convex
a tilt of the head
changing the slant
of the inner sight
so that you see
me seeing you
we two knowing
hearing the sign
buzzing our nerves
caring as showing
inside out wearing
learning unlearned
a parent’s sharing
poking a shoulder
warning a glance
ruling an unruly mind
guilt and pain aside
teaching an oath
swearing a lesson
picking a courtesy
bowing a head
in shame we learn
in obedience we sit
before a flag and stares
the history of living
the meaning of love
the trick of getting by
love is learned 
and then unlearned
and truly it is
the equation of love
I love you and me
I understand me
understanding you
since love is this
this understanding
that to love so
is to love me 
loving me
loving you
who are all
of us.

Happy Anniversary!

Here’s to delightful surprises! May your lives be full of them.
 
A toast of good cheer I have made many times, sober or not, today I toast a special anniversary–mine.
 
I married my charming good friend 35 years ago. I loved him then, one of a couple of jackass kids we were back in 1980. Flippantly striding through college campus defying accepted authority and unearthing sacred ground, we were irreverently youthful. So when he asked me to marry him for a practical solution to an impractical problem of late registration and the French military, I did. After all, he was my good friend-sometimes lover. I did love him.

 

To this day I am unsure of the depth of our love–even if he loved me–to what degree or intensity. It did not matter. We galavanted through the crazy years together as a pair. And when my car blew up and my job went south, I moved in with him, only to move out nine years later and then move back in 6 years after that. 

 

To our sometimes amazement, sometimes knowing nod, we have lasted this long together, through the soaring and sinking. To our surprise, we built and destroyed things together without destroying each other. To no one’s surprise, we have tried our best to be good friends, lovers, parents, children, siblings, friends and citizens of the local and larger world we inhabit. 

 

Even more surprising than our lasting is our having met in the first place. What were the chances that we would meet at Golden West College in Mrs. Strauss’ World Literature class and start a conversation, me, who never initiated conversations with anyone, whispering that first opening line: “Where’re you from?”

 

I was an awkward, self-conscious, earth-shoe-wearing 18 year old poor student with visions of backpacking through Europe some day and a sucker for an accent, while he was a suave, self-assured, French-accented European of means with a late 70’s expensive shoulder-length haircut, collar-less shirt and American boorishness critique. We were caricatures of Romantics–righteous anger, cynical disdain and ironic amusement–back then.  

 

When I married him, I was aware his eyes turned for delicate boned petite beauties with eyes the color of the sea set in sand-polished skin while I adored tall, dark-haired brown-skinned rugged bad boys who seldom smiled. I was a tall, clunky hippy, a brown-eyed brunette with freckles who hugged her knees into her chest while conversing in wild waves of gesticulating hands. He was fair-haired, small-framed metro with polite manners and a sense of decorum. 

 

Somehow we found our meeting. Somehow we have survived the mountain of small frictions of daily living atop the chasm of disappointment, misunderstanding and alienation that one human being can produce in another. Steadiness steered us through the rocket ride up and back as it does now.  

 

We share a steadiness, a vibration like the P wave of the electrocardiogram, where the spikes are measured against the dips to tell the story of a heart’s patterns and rhythm. Call it history, maturation, transcendence, or regeneration like severed nerve endings in the brain organically reaching out and reconnecting, we share a communal past and an ongoing present. We grew up together.
 
To my daily delight, we survive days that lapse into years. We co-exist, unconsciously in each other’s often silent presence puppeteering the motions and emotions of two people conducting a marriage, a family, and a life as we wander through moments, sometimes colliding, clashing and crashing, other times melding and mooring, uplifting upon the same softly rocking sea of a cul de sac world we look out to sitting on our lawn chairs in the sunny warmth bathing our suburban front porch.
 
There is peace in constancy. I am surprised to write that, me, whose constant throughout my kick-ass twenties and thirties was the belief that contentment was a fate worse than death, a killer of creativity and therefore life. Without the itch, the striving, I thought, there was only collapse into the hum of the daily, the numbing hum of contentment. But constancy is not always contentment. 
 
The average, the mean and the median are constants, not so much as compromise but as perspective. The sum total of existence is the graph of heart palpitating thrills of victory measured against the torpor of stultifying loss. Quality of life, in retrospect, is calculated by that range of emotion, the depth of terror and rage against ecstasy and bliss. My husband-partner-mate and I have reached, stretched the limits together, and so have bonded, grown neurological tendrils of connections in the doing.
 
And we stumble over and with each other still, amazed that we awaken to yet another shared morning, that we grew two healthy, happy humans despite ourselves and manage to move through time and space as we do–mindlessly mindful of the beat that syncs us, he sometimes the high and me the low while other times he the wide and me the far. Wondrously, unexpectedly, we make it–together.
 
Happy Anniversary, to you who will not read this tribute to endurance. If you did, however, you would find in this lovely duet, a surprise akin to our own song. Cheers!

Define Love

Curious about the love-relationship labels beginning with the prefix “poly”? Here is an amusing and informative Youtube video to answer some of the basic definitional distinctions between polyamory, polygamy, polyangyny, and other polys.  Enjoy.

There is a Leaving

  

credit:  https://timrwalls.files.wordpress.com


There is a leaving that must be done
everyone knows when that it is too
when the pastels of the sky deepen
at dusk and pink becomes orange-red
a time when the ending paints true
the beginning and hope is contained
in darkness.

There is a leaving that must be done
when fall leaves and winter begins
a dying that prefigures anew the new
the hatchlings of sea turtles and fins
of mermaids spied prancing the deep
in imagination veered round the din
of darkness.

There is a leaving that must be done
when the face utters no more sighs
and a voice thinly reaches a mind’s ear
for none but the countryside cottages 
of someday adorned remain in dreams
plans of then dissolving soon too to
the darkness.

The Last Time I Will See Joni

 

 

Last night I dined with a Joni fan, someone with whom I found common ground initially on that fact alone, tossing her words at the appropriate emotion or situation, as if to say, “You know what I mean?” Oddly enough, we did not talk about Joni, though she was there, framing our discussion, our gestures and postures on love, men and the world. We are both children weaned on her music and so look through her lenses, her lyrics and voice, in daily life.

Joni has been on my mind lately for the same reason as Linda Grant has written about her in It’s not always easy to be a Joni Mitchell fan, but her illness devastates me in the Guardian. Joni is ill, has been for a while, and it looks as if life’s accumulations have conspired to bury her soon, if not from this latest episode of falling unconscious, then perhaps not long after. She is 72, a dedicated smoker, and embittered by all accounts. 
 
But it is not the person but the persona of Joni Mitchell that I have adored all my life. She captured the spirit of my youth and has been my creative mother, in some ways, a decade older and wiser, tethering me along on her words and experiences that resonate with and color my own. She is always first, and my footsteps follow in the safety and security of her words and melodies to accompany my heart breaks, my pride and creative yearning.
 
I agree with Grant. When she goes, her music will survive, but something, the undergirding of a culture, a huge part of its iconography, will be lost and will be suffered by some of her daughters, ones like me whose history of love has always been bathed in her coursing stream of heart songs, like the loss of a limb.
 
She has called herself “a scientist of love”; how to love is what she’s trying to get to the bottom of. Like Jean Rhys, she has drawn the anatomy of a woman’s heart, the men we fall for, the loneliness, the fatal choices. The accretion of age, the disappointments of living, are part of the journey we’ve all been on with her, so this life-long fandom can’t have a happy ending. Or even a happy middle. Pity the poor children with an indelible online record of the day they wept when they heard Zayn Malik was leaving One Direction. Perhaps the lifelong experience of being a fan, an admirer, an acolyte or a student of an artist will turn out to have been a fluke, a small window of privilege, and from now on careers will burn up in a year or two, the experience fleeting for the adorer and the adored alike. I don’t think she knows how much she’s venerated. Or maybe she knows and it doesn’t matter. It fulfils nothing. It makes no difference. She’s as alone with her music as we are.
 
 Critical acclaim and personality contest winners have never been criteria for my musical tastes, so I will die a Joni fan no matter the latest news of her quirks and habit–or her death. Here’s to you, Joni, and wishing you good health in as long a life as you permit.
 
Last Time I Saw Richard

by Joni Mitchell

The last time I saw Richard was Detroit in ’68
And he told me all romantics meet the same fate someday
Cynical and drunk and boring someone in some dark café
You laugh he said you think you’re immune
Go look at your eyes they’re full of moon
You like roses and kisses and pretty men to tell you
All those pretty lies pretty lies
When you gonna realize they’re only pretty lies
Only pretty lies just pretty lies

He put a quarter in the Wurlitzer and he pushed
Three buttons and the thing began to whirr
And a bar maid came by in fishnet stockings and a bow tie
And she said “Drink up now it’s getting’ on time to close”
“Richard, you haven’t really changed” I said
It’s just that now you’re romanticizing some pain that’s in your head
You got tombs in your eyes but the songs you punched are dreaming
Listen, they sing of love so sweet, love so sweet
When you gonna get yourself back on your feet?
Oh and love can be so sweet Love so sweet

Richard got married to a figure skater
And he bought her a dishwasher and a coffee percolator
And he drinks at home now most nights with the TV on
And all the house lights left up bright
I’m gonna blow this damn candle out
I don’t want nobody comin’ over to my table
I got nothing to talk to anybody about
All good dreamers pass this way some day
Hidin’ behind bottles in dark cafes dark cafes
Only a dark cocoon before I get my gorgeous wings and fly away
Only a phase these dark café days

© 1970; Joni Mitchell

 

Bar Flight

  

credit: http://images.fineartamerica.com/saulnier


Sitting at the corner bar, satisfying the urge for a beer and relieving the boredom jitters, I’m tormented by indiscriminate shouting of barflies and distant diners lining the walls of the dark, decor of seafaring ships, anchors and fish. Sea legs. Clearly this place lacks intelligent acoustic design, much to the chagrin of the owners who honestly tried to reduce the clamor crawling the high ceilings, especially with a yoga studio above it. I once heard the story, sitting at this bar with M many months before.

My girlfriend’s already signed off for the night, so I am unconcerned about my phone’s rings, dings and buzzes. I am wherever for whatever. Thinking about the last time we met at the hotel for a quick grope and a tickle, sneaking a hurried sigh and a fierce kiss, my mind smiles, my face impassive.

The pretend-lover is off somewhere in the night, leaving town for the week tomorrow, as the story goes still smoldering in the musk stains left in my hair, emitted in the toss of my head as I spy the inhabitants of this sultry Thursday crowd. At least we got to do the fuck-and-lie before the morning’s 8 a.m. departure. What’s the weather like in the Southeast?

Often it’s the simplest moment that lingers on the tongue of my thoughts, savored in sensorial bites: a shy side glance of the twenty-something deeply brown-eyed half of the pair sitting on the stools next to me sends static up my spine, an imperceptible eye-twitch, my senses on electricity. What does it mean?

I crave quiet corners most of the time, am in love with intimate spaces with or without another. In an unsuspecting moment, memory flashes the scent of heat rushing from a wall heater mixed with bleach and sweat in a dark room in mid-afternoon while we nap, your arm dead over my hips and belly. 

Though the time is so little, so simple, it stays. Maybe that’s the draw, the beauty of it, it’s simplicity and freedom to be whatever we need it to be, something of our own creation without the stress of trying to make it be too much, like living and planning and being together, which is complicated and full of friction. Our island is tiny and sporadic, though well-timed. Maybe it’s the island that is the draw more so than I. 

His wife hates him as much as she loves him, that’s what the bar fly kitty corner to me yells over the blaring music to his companions. I wonder why. Perhaps she cannot stand the way he mispronounces the names of her favorite artist, or his snoring, explosive anger, criticism, taken-for-granted use of her body for his release coupled with the inability to fulfill her because she never figured out how that could be, relied on him to figure it out, but could not relax enough to let him, guide him or even try.

Nat King Cole croons “Unforgettable.”

Filling out a daily diary of calories in my phone app is tedious, a task I assigned myself as consciousness raising more than dieting but it has, like so many other healthy exercises enthusiastically commenced, deteriorated to an obsession. 

The same guy three stools down shouting over the next song, a 70s favorite I recognize but will have to focus on more if I want to remember the artist and title, whinnying really in a high tinny voice, about his divorce and how his wife regrets the divorce being the way it was. Also, his daughter and plans for spring break to be with her and her friends, Abbey her name, is really shaping up. Oh, so a divorce has permanently taken up residence in his conversation. The ex hates and loves him.

The divorce story’s addressees are a big bald dude and his Asian-looking companion, petite and smartly dressed with discreet cleavage, smooth-skinned soft peaks demurely and tastefully displayed below a string of pearl-like gems. She speaks with an unidentifiable accent. Like her, I am only half listening. The divorce story seems to be aimed at her, a polite, captive audience, while her boyfriend baldy winks at her looking away from the divorce tale-teller. Divorce guy wants to be heard. Baldy stays quiet, polite agreement here and there. He wants to be home fucking pearl girl. “That’s the way God meant it to be in some ways,” Divorce says. I missed the context of that statement.

Brings me back to a lover and his week of agony, strife with the wife, severe enough for him to act deflated, distracted passion, wildly unusual, so that I had to ask, as he collapsed away from me and sunk into the mattress, fists fretted together, face pinched in deep furrows, what was the matter. Did he expect me to sense his grief and ask? He is not as mysterious as I once thought. 

In our fifth year he took up confession; home life was bad, stressful, not good for the kids, he told me, the emailed story unfolding in exclamatory bursts, philosophical resignation, religious retreat and cautionary reminders. I did nothing to provoke the last so have to conjecture: it crossed his mind, the thought of leaving, running to me, but he got scared or sober or logical. He tasted the bitterness and stinging hate of hurt and revenge, the loss of power, prestige and pleasure, time spent with his children, too soon gone. 

Imagined scenarios of our making are the engine of creation, the mechanics of our story trotted out for each other to admire and merge into on cue.

Hate, vengeance and righteousness of god, fashioned to her fundamental beliefs in a church that spreads the selective word of a deity who manifested love, she believes he must be the man she wants him to be. The wont of their ilk is to toss sacred words to trump one over the other.

An ancient story repeated, their love grown in children and the grace of goods bought and sold, possession of a union, a house, a garden, two cars and a dog, they loved and rubbed each other right until it was wrong. Humans are pattern makers. God chuckles.

But he was clearly jarred, sorrowed, repentant, and seeking comfort in a resolve to improve, surrender, endure and abide, a solution time tested. Biding time is what we do. Some call it the journey. With attention, it is often referred to as presence, the fullness of time and the conjoint spirit of one. I am content. 

I prefer small pockets of pleasure disturbed by the occasional deep, destructive pothole in the roads I travel. So many lovely beings reach me, their intentions like silk tendrils of touch-full caressing care and wonder like Debussy’s Bergamasque piano silently accompanying the undulating drift of bar meanderings.  

“I will be unavailable to you that week of your return.” I told him that, and he let me go.
 
Divorce boy just informed baldy’s girl that he is going to finish his bottle of wine, though he apparently has had enough, and try his luck picking up on some girls situated elsewhere in the bar. The incongruence of girls in a bar strikes me. 

I have seen divorce boy passively sitting at the bar before–beak-nosed and paunchy with a deceptively young face, not unpleasing. He tries. I am not here often–eight or nine times a year–and the last time I was here he was too. Look at us, the lonely people. 

The two women to my left are pouring the remainder of their wine from their glasses back into the bottle. All neighboring eyes are turned to the task, like a netted tightrope walk to safety, the risk not too terrible but for the stains. The two young women have been sharing a small space, huddled in the corner of the bar, phones in hand illuminating the luster of their eyes and lipstick, checking social media, I presume, and speaking in tones reserved only for them.

Big baldy says, “I’d have to kill the guy.” Clearly man talk. I cannot imagine the stool mates to my left saying that kind of shit, defending their territory. Like R. He would do that, kick someone’s ass who looked at me had we been daylight lovers, out of the bedroom partners in a real life relationship. But I speculate.

How far can a fantasy stretch? What does anyone need beyond a little relief, some tenderness to ease the strain of survival? Maybe nothing. A will to bend, a neck crook for a weary head, an arm flung over a curled-up thigh and those who know your name may be the sum substantial of existence.  

The Good, the Ugly and the Human: a Tuesday Musing

 

Credit: http://m1.i.pbase.com

 


To be a good human being is to have a kind of openness to the world, an ability to trust uncertain things beyond your own control, that can lead you to be shattered in very extreme circumstances for which you were not to blame. That says something very important about the human condition of the ethical life: that it is based on a trust in the uncertain and on a willingness to be exposed; it’s based on being more like a plant than like a jewel, something rather fragile, but whose very particular beauty is inseparable from its fragility.
Martha Nussbaum, philosopher

Ruminating about abandoned love lately, I wonder how humans, a number of them anyhow, can open and shut their hearts with such certainty in such an uncertain world. How does one end a relationship, long and loving hard, and thereafter eviscerate the heart-memory of the once cherished object of his or her love, the light in his heart, the heat in her loins, never to speak or think of the other? Where, precisely, sleeps the graveyard of deep emotional attachment?

No one can control another to the degree necessary to keep and savor that other, to anticipate fear and resentment, illness and death–no way to squeeze answers to the riddles of human behavior.

To be exposed is to be vulnerable, open to danger, criticism, injury or death, whether physical or emotional. Who does not fear the ending of a relationship that houses everything, one that contains all of the self thrown into it?

Dedication to the notion that love means giving all to another bears some responsibility for the resulting grief and betrayal after the end. A piece, some important part must be held back, some core or foundation must be withheld in order to keep the self and the other intact. To invest all is to have everything to lose in life’s uncertainty: love’s cessation, life’s leaking despair, disability and death. 

The burden of possessing every morsel of another being trumps pleasure, smothers desire. 

Many believe the heart cannot survive loss, a conviction that obstructs the happiness that inclines a good human. To withdraw from others, from a lover or society that disappoints, having been badly burned, merely reduces risk of exposure; it does not prevent calamity or inevitability and so a doomed attempt to control a world in hopes of preventing further hurt and loss. 

Humans cannot surrender their frailty without losing their humanity–or their beauty, according to Nussbaum. The good and happy human is unafraid. The tremulous unhappy merely encircle the tenderness and delicate skin of being with armored excuses and persistent tasks that disengage and anesthetize the will to enter the fray of the raw and unknowable–the human circus of flight, fancy and faith–forever locking doors behind them.

If I Could Savor…

  

If I could savor all the bits and pieces of love I have shared

–with or without someone else–
and store them in a capacious safe place 
such as a warehouse, 
a bank vault 
and my heart, 
all in one, 
to draw upon on days like these after a night of angst and tremor, 
there would never be a moment of worry, 
of terror or dread, 
no steam of regret or anger, 
for all would be washed away in the oceanic amour reservoir. 
I have loved so much so often, 
it is a wonder there is any room for other invaders to besiege my mood, 
disrupt my sleep or daytime dreaming, 
none to spare for jealousy and greed, 
envy and hate. 
Love has filled all the cracks, 
poured off in excess to inundate the floor of my soul, 
completely submerged in pooled good will and heart offerings that bind. 
Or so it would seem on sheer mathematical principles alone. 
So many loves, so many times.

Is there any fiercer love in so fragile a bundle than the adoring eyes of an infant 
following and studying her mother’s face? 
No matter the need, 
there is brimming love un poisoned by desire 
and machinations of how to get that in my pocket, 
in my bedroom, 
or in my bank account.
No matter the illusion, 
the source is there in wide open hazy eyes 
studying the mystery of the powerful impulse 
to forego sustenance in order to drive nearer the object of an overwrought mind 
and wretched will to be in the presence of the beloved. 
The road is endless until a fluid destiny culminates. 

I asked a friend, 
and me, 
on occasion: 
How could there ever be a lonely-cold day of wondering where she’s gone, 
who she loves now, 
when she gave up so much of her herself, 
her ambition and freedom, 
the dream job and impassioned call to the city’s illuminating sights, 
to be with you those many years? 
Did you not collect those trillions of minutes and safe-keep them in your house, 
hidden in the darkest corner of your room, 
the moments of her bottom lip brushing yours in tender, 
have-spilled surrender to the night, 
your heat enveloping her breath, 
deepening her sleep to the pallor of death’s neighborhood? 
Where did you send those beats’ resounding 
if not through that mighty pump thrusting it off 
to venture through the veins of your mind’s nettings? 
Draw them now; 
paint the joy of that brush of your mother’s thin fingers through your hair, 
your grandfather’s whistling from the smokey yard, 
giant barbecue tongs in hand, 
your toddler’s honey sticky fat thumbs on your cheeks, 
your lover’s call in the late night longing, 
your sister’s tearful embrace, 
the memories of moving childhood laughter pinched in her arm’s muscular grip, 
and the first step in the door of the home and hearth 
you have craved for trillions of minutes endured away.  

Love is strong. 
I have heard of her lifting a car to save her baby 
and her loss heavier than the bloated body at the bottom of the lake. 
It does not dissipate for the air cannot carry such weight. 
The heart cannot contain it all, 
and the mind cannot grasp it. 
Love must reside in the thick rubbery green of the rubber plant 
hanging above my porch, 
or in the orange of the sky at dusk, 
or in the olive and pink sheen of my daughter’s freshly showered skin, 
or the ancient brown of the spots on my mother’s cheeks 
or the muffled sound of my father’s cough from the other room, 
or the musk of the classroom still lingering even after long summer months  
or the squeeze of my hand just before I approach the podium for my closing argument, 
or the earth of an emerging bordeaux on my tongue, 
and the thought of growing old with the world.

OMG, nooooooooooo!!!

  


Yes, it’s tragic. I can tell by the frequent wailing and gnashing of teeth around here. Zayn is leaving.  My daughters are heartbroken.

When all the eye rolling is done, I have to ask myself if this phenomenon, the three, four, has it been nearly five (?) year love affair my children have had with this boy band (now man band), is something to deride. Perhaps the resistant nod to the importance of this group on my part comes from the force feeding I have endured over the years, trapped in a car with screaming teens and pre-teens, windows rolled down as they shouted along with the blaring music,”You don’t know you’re beautiful!!”, at passersby, laughing, arm-waving and car-seat dancing. 

While I have maintained the appropriate role of music critic, one of many as a mother, explaining to my daughters with aplomb that cuteness is not one of the criteria for musicianship, I must confess to knowing most of the lyrics to at least two of the albums and have been caught singing a 1-D song while cooking dinner in the kitchen a time or two…or five. The truth is, I like the band, and my daughters have been warning me that this day was coming, the breakup of the band. 

They would know as they follow every word ever uttered by mouth or in print on Twitter, Snapchat, Vine, text or telephone from fellow fans befriended while waiting in line for tickets, movies, and concerts, or at fan sightings and school about these adored entertainers. My 16 year old has told me during more than one car ride to school or a friend’s house with grave admonition and dread that their five-year contract, made when the band members were her age, is almost up and it is doubtful they will re-up given their rigorous touring schedule lo these many years. She suspected burnout all along.

And now it is slowly unfolding, the story of Zayn’s quitting–or was he fired? My 19 year old gave me the lowdown this morning about how it may actually be a firing from the slave master, corporate, money-grubbing, greedy-bastard managers (her characterization, my words), when he dared to walk off a tour after publicity of Zayn’s cheating on his fiancee, or so it was made to appear by the evil media. She explained that Zayn was the more sensitive one and just got sick of the twisting of his life with all the fan-dom gossip and media lies. 

So says she, who somehow coaxed me on more than one occasion several years ago to drive all over Los Angeles chasing these boys for a possible sighting. One time, I flipped out on her and her friends after a six-hour chase that made me question my sanity–truly. There is a limit to a parent’s indulgence of teenage fantasy addiction, and I had exceeded that limit by legions.

The truth is, I will miss these boy-men should this signal the beginning of the end. All those car rides–and there have been many–with four or five girls screaming in my car every word to every song, windows down, wind whipping through us, and even my steering wheel banging car seat dance in full swing, have been fun and meaningful, girls having fun in music fantasy, me witnessing. My younger still insists only half ironically that she will marry Harry, so there is no need for any other boys in her life.

These singer-musician cuties have played an important role in our lives, in theirs particularly, and not only as an obsession or a place holder until something bigger and better and realer comes along. Their devotion, waiting for hours to glimpse them, purchase tickets, see them in concert, find the latest about their lives, has been not only the commitment of love-sick, crazy teens with no reality that can compete with the fantasy of them, but of the true commitment of fans, caring fans who love something bigger than themselves, something to hang their hopes on for a future relationship with someone truly special, someone with greatness, ambition, good looks, talent and caring for an adoring heart.

For me, these guys have given me opportunity a’plenty to not only serve as taxi driver, crazy mom, and sage adviser about everything from music to love to addiction, but also as friend and adoring fan to these girls, all beautiful in their youth, purity and zealous affection and enthusiasm in their devotion to a lovely even if sometimes embattled over the rights to the story world, something that could be a lot worse than wholesome 1-D. If they have to be addicted, I am okay with it being a handful of benign cutie patooties. 

And quite honestly, it has been interesting to watch these boys grow, musically and personally, amazingly in sync with my daughters’ growth in the same fashion. The music is less bubble gum, evolved, adding a layer or two of musical and lyrical depth and diversity. Similarly, both girls have developed diverse musical tastes over the years that I deem mature and sophisticated, even as I question the talent of some of their selections. 

My car rides are now infected with a wild array of cynical, political songwriter-singers, not so fresh and innocent as 1-D, more so overly whiny, sardonic and anti everything socially accepted, like the Front bottoms–their rebellion phase, kind of like their mom’s Dylan, Doors and Led Zeppelin phase decades ago. But despite their clear evolving musical tastes way beyond the pop pablum of groups like 1-D, or their predecessor Justin Bieber oh so many moons ago (comparably “my” David Cassidy in the 70s), they hold Harry and the boys near and dear, laughing at themselves while seriously loving them too.

But we all move on, even 1-D dudes. Zayn is right to quit. Why not end at the top? Why not try to regain the semblance of a sane life at the ripe young age of 22? It will take another five or more years to get over the post-traumatic effects of rising and sinking so far and wide as unknown to super-star to used-to-be. Although, I somehow doubt the residue, the fractured band, as Brad Nelson of the Guardian dubbed them, “four goofy white guys shouting“, will make it and not only due to the dent in the multi-textured sound that Zayn contributed to creating. 

The fans may not be so forgiving of the Simon Legree (or is that Simon Cowell?) managers they may see responsible for the breakup or may not be able to let go of what was–the perfect quintet of dreaminess. A beloved will always be missing.

In any event, there will be the press stories and the fan stories, the truths of which may not coincide. The best part of the band for most fans is not even the music but the constant back story and just the story making itself, constantly winding in and around the social lives of imaginative teens and pre-teens flexing their minds and hearts into the vast landscape of love, music and social media. What else is there, after all?

 

Sentimental Morning

Yesterday I read in the Huffington Post the story of A.J.’s 25 year affair with a married man, her divorce lawyer, on whom she had grown dependent for love, money and herself. Her story is familiar. She filled a space that was her, missing most probably due to the abandonment she felt in childhood, with him, but came to realize after two and a half decades that only she could fill that gaping hole.
 
The hole in my heart couldn’t be filled by anyone but me. I had to love myself more than I loved anyone else. Even him. Finally, I understood.

 

We walked out of the hotel onto Park Avenue, and without another word to him, I turned and walked away.
 
This morning I awoke from a dream the last vision of which was the face of my husband of nearly 35 years, smiling, his head leaning on someone else’s shoulders, completely content. 
 
No one has made me weep more in my dreams than he has.
 
Though we are no longer intimate, we share a connection deeper and more profound than the silence we keep about what went wrong and what is right.
 
Love is more than dependency, but its shape and character are dependent upon lovers. There is no doubt that we fall in love with love and all we imagine it to be, including that leaning, literally and figuratively, on another. Our hearts resound solitarily in our chests, but the primal urge to sync our rhythms to the beats of those hearts walking beside us is unimaginably fierce. We don’t want to be–alone.


Graham Nash — A Simple Man


I am a simple man
So I sing a simple song
Never been so much in love
And never hurt so bad at the same time.
I am a simple man
And I play a simple tune
I wish that I could see you once again
Across the room like the first time.
I just want to hold you I don’t want to hold you down
I hear what you’re saying and you’re spinning my head around
And I can’t make it alone.
The ending of the tale
Is the singing of the song
Make me proud to be your man only you can make me strong
Like the last time.
I just want to hold you I don’t want to hold you down
I hear what you’re saying and you’re spinning my head around
And I can’t make it alone.