On True Love: Ten for Today

I couldn’t say I’ve ever come across a true love or ever will. I’ve had great love. I’ve had potentially tru-er love–but for the right person showing up under the wrong circumstances or vice versa. At least how I imagine the right person. How could I know without a long, leisurely test drive?
 
But true love is truly a cultural marketing scam. And it’s not for mere cynicism that I write that. I’ve no complaints about the loving in my life–all shades and degrees of it. I’ve slid in and out of love’s grasp by choice and force both. Yet, true love seems to have eluded me only because it’s been beamed into my brain by invisible designs since birth–without explanation.
 
Like waking up every day, there’s an impulse to arise and act, get the day started even when you don’t want to or know why you do. We just live as if there’s no choice, most of us. It’s incredibly difficult to kill a healthy human being, more than you’d think. That same blind instinct–get up and live–impels us to find true love without even knowing what the fuck that is.
 
No one believes Disney, so I’m not referring to that conception–princes and princesses and shit. Chemistry, kindred souls, soulmates, and other hollow terms language has fed us to conceive of the truth in true love make little sense. Like it must be fate. In myth and religion, there is an element of the divine in all truth, in language itself–in the beginning, there was the word.
 
And yet, all children are indoctrinated in the one true love story, even as they grow up to see the truth in that lie. It lies like death everywhere, not just in movies or television or books. It permeates culture like a dream or a virus, thinly veiled and ever present–potentially lethal. 

Yet Another Ode to Dionysus: Sampling Under the Auspices of Research on a Saturday Afternoon

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I drove miles to meet, caught on the draft of highway 1,
Steeped knee deep in alder wooded cabinets stained in olive oil for
Caressed care of liquid pearl, grapey god’s velvet sip.
A dream of Athens, fleet footed baccanalia, you, my hedonistic loined lover of leaf and vine.
The sun.
Engineered glycolic canyons deep, your sugar mined for me
Wilts me weeping, drunk on pleasures
Deep, soil rich and dancing, your hooves in mine, herding your tethered Lust for wine–and me.

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Leotard

  

 
On my dresser, crumpled like sin lies a leotard,
gold lamé scarab’d like a 24 carat snake skin,
black lycra arms tightly tubed, trimmed in lace
sewn to this gay garment celebrating costumes
and splayed over orderly folder’d paper stacks
inches thick with frayed efforts, struggling pens
of students composing in discomposed anguish
for the A’s, B’s and C’s drifting over their heads
hovering above their walking shadows at the go
as trudging destiny to seats betraying no means
that end in hours sipped in blind ears and minds
mending time in threaded thimbles of mothers
who cajole and credit them with bygone myths,
those about education and scaling mountains,
inheritances emptied from bank accounts dried
long ago spent by the crackhead loan pirates
and bank note worshipers of voodoo financiers.

White Horse Bride


A daugher, a horse and her father
danced the lands of long and wide.

Hers were the steps of wan beauty
chaste and coveted centuries deep.

Her suitors at the foot of her father
poured the gifts of grain and steed.

Only one chosen the other pursued
fated to follow a white horse fleeing.

Two promised galloping to the rise
fly mountain top steeple to an altar.

And there the arrows reached true
both slain by jealous pride enduring.

A white horse exchanged for a bride
betrayed their sullen chase in hiding.

So bride-spirit inhabits equine prairie
to roam a world turned rage and fury.

  

Roses of Song and Myth: the Love Lie

 
Credit:   http://assets2.madewithcolor.com/2014/08/11/17/57/30/934/Marigold_Rose_3.jpg

The rose is not flattery, nor flattered can she be.

Her colors never brighten so with admiration.
Her white is white and pink is pink regardless.
Sun is her food, water her delight and nurture
she needs nothing from hands, no clip or two
no more than her nature designed so provides.

A stem releases bloom from inside itself formed
its patterns deep and wide configured long ago
running through time like speed of sound-light.
The evolution of her growth and being precede
all hands that pluck her bloom from bony bush.
She needs no more than nature draws from her.

For when she is clipped, she poses as love sigh
tall, thorny languor along the chilled lip of glass,
a vase for her thoughts to showcase her beauty.
But hollow and thin she starves on water alone
no earth to feed her fibers, her soft petal velvet 
of colors destined to rot, odiferous swill of death.

The rose bleeds not from thorns as do your gods
for she needs protection from prey; all who harm
love in the name of hunger forcefully feed on her.
The host of vines and verdure are not loving kind
but raw and real as the rain that beats her roots, 
suffers her drowned to make her stand woody by.

Patience and virtue and kindness do not clothe her.
She hangs no myrrh between her breasts to lure.
Nature is not a song for her nor an allegory rhyme.
She fails as ideal and lasts only so long as her DNA.
For her name is rose not love by human confusion
and sings a song the words unknown to mankind.

Leave her an earth that grows her feet strong-free
and make her not your words a sign of loving,
for she is not an idea, symbol or object, no agent.
Neither is she subject or lust or desire or longing.
She is not inspiration, romance or pheromone but
life stuff, permeation, breath, not your philosophy.