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She mewed at him provoking sense and shifted gaze.

"My mistress' eyes are nothing…"
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She mewed at him provoking sense and shifted gaze.
credit: http://edge.neocha.com/wp-content/uploads/2010/09/huzi@neochaEDGE_01.jpg
I saw her picture first
Bauhinia,
the delicate pink orchids
that blossom each spring
cheer the grog of the morning
march to distances
far and few
from your branches.
The blistering sun’s alchemy
or the blustery grey
of the day–alters.
Drifting and burgeoning,
transforming and contrasting
as my moods,
sometimes filled, lagrimal
of rusted red seed pod,
feet and fingers of them
like stultified streams
of leaking fear frozen
brown and red in mid drip.
It’s then that your leaves wither
at the edges,
blackened and burned.
The weather turned for the worse,
your leaves round hearts
of butterfly green,
full and wide bloom.
But when the winter wears away,
your flowering bauhinian
bells and stamen
reach for my notice
as I breeze past
to travels once again
drawing me from you.
credit: http://i.dailymail.co.uk/i/pix/2008/03_04/lonelyDM2803_468x562.jpg
Windows open the flies get in and buzz around occupant ears
and the neighbors see if anyone’s home to borrow a few eggs.
Prying eyes into unshuttered houses make movement cribbed
self-consciously checking on words, their tone and expression
so no one calls the cops when the screaming sounds so loud
that anxious stares cannot bear the cruel curiosity any longer.
Unlocked doors welcome strangers in along with friendly foes
to sit in the kitchen nook to wait for cold beer and sandwiches,
served in feigned welcome smiles wary of wrong impressions.
When doors swing wide the wind bellows loudly, wild howling
that outsiders mistake for babies neglected and other abuses
a lure for authorities of watchful interrogations lying in waiting.
An open house with glass walls like an atrium of family fronds
is a sociological study of disordered habits of broken subjects
where gourds are lasered open with surgical knives illumined
reflecting wide-eyed grimaced faces of fun house mirror halls
that release shrieks of wailing laughter hysterically unleashed
while witnesses nod in knowing affirmation of suspicious spin.
Confessional containers confine the inhabitants in cool cages
bars silvan with tales and typecasts for the people’s comfort,
the rack to rest their hats on in assurances wide in ever after.
“We always knew she was untrustworthy, her nose in the air,
and look at her children’s friends with the pierced nose rings.”
To lay bare what can be seen is like carelessly losing a home.

Credit: http://assets2.madewithcolor.com/2014/08/11/17/57/30/934/Marigold_Rose_3.jpg
The rose is not flattery, nor flattered can she be.

credit: https://danutm.files.wordpress.com/2013/05/big-data.jpg
I am a woman who wades in numbers,
soak myself in abstract configurations;
I jet-stream massage statistics to know,
find the answers, solve the riddle of it,
the non-numerical, innumerable queries
cried in words, a seemingly literary call,
but responsive to figures and values one
of twenty-four-seven and three-hundred
sixty-four in sixty times fifty-two or so set
give or take, plus or minus, more or less.
“I’ve got your number,” no one ever said,
but clichés are like that, ubiquitous stain
on creativity’s spine like the cafe au lait
spot on the leg or neck, a birth mark blot,
red, brown or invisibly zero’d out erased.
Countless ones perched in memory slate
have added up the sum total of me, mine,
all I ever was and will be with smug sure
black and white like chalk on the boards
while flunking 365 true or false quizzes.
But not you, caresser of amassed details,
not data strokes, the airy waves of ideas
you throat-throw in fast, furious pitches
speeding in, aimed as weapon or homer,
at me batting less than top ranking 1000,
an average way below that .264, a mean,
the high and low of its streak of 9 no-hits;
I can never catch up, analyze every word
to track your wins from losses and defeat
the purpose, our aims on par, hole-in-one.
We sport and play, linger and dally over
tenderous scars and spots, skin wounds
that narrate each misstep, spill or crash
we each separately, singly, absorbed in
seconds of lost sight, a blink of timeless
clicks of the clock in a silent living room
when we were youth without any history
past an endless future of anything goes.
But now, in lengthening hours, sun light
of sinless spins marks us immeasurably.
When you and I are old enough to know
that the feet we were, those inches along
the road miles we never traveled in truth
did not matter as many or few glimpses,
insights into the relativity of relationships
fleeting and forever moving us in spaces,
places of perspectival generosity, a glee
of open doors, 1, 2 and 3, any alphabet
of understanding what counts, laughter,
touch, dream, a lantern glow in the mist.
I am a woman who drifts by the numbers,
ten by ten, mostly, often two by two-some,
just to tease the moment with complexity,
a game too many of us weak minded play.
“Age doesn’t matter,” you say, yet it does
to those who count; we count on them too
to whisper wordless songs in even tempo,
carrying the tune of eons engraving aural
flesh in a lilting lullaby, humming mindless
motion that apes the arrows of linear time.