Sitting in the center of a dream
The Teacher
A soft touch and a hard hand, the teacher speaks in incantations, dronings of esoterica to mystify and satisfy his own urges to expel. Behind office hour doors he is hand full of slick hair clutched at the scalp mummified despair leaving its traces along the spiked tufts that resist gravity’s pull to his ears, one of which is pierced with a diamond stud. Only a knock, a student’s hand, a backward glance or a shy inquiry can shift his mood. His smile smeared on with putty lips, he ogles the words typed for him, pausing long over an improper punctuation or diction switch up. His eyes’ return are shuttered behind thick dark lashes that paint his pupils dark, the velvet of brown specked with black and stroked with soft charcoal malleable leniency and persuasion. The burning does not show. The coursing rage racing up the alleys of his cortisol-laden cerebral landscape, pathways to his libidinal longings for a leg, the hem of a skirt, a bite in the pen cap, tongue caressing the indentation, remains repressed against his spine, thrust shut in his pelvic dance of storming scribblings in marker red, furiously punctilious and benignly compliant. He is grade A swallowed fear in disgust, disguised as propitious transitioning. Everyone passes through and by the teacher while he remains, steady like the axis of a planet, a cross road or dawn’s return.
The Ache of Decay: a Eulogy for a Friend
Derek Walcott ‘ s “Love on Love”
LOVE AFTER LOVE
The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life
Love is not a Rose but a Choice
The marriages that last are the ones in which the two members regularly develop (but do not act upon) extramarital infatuations.
I read that today in Maria Popova’s review of The Folded Clock: A Diary by Heidi Julavits in Brain Pickings. What is it about love’s excess that it cannot be contained in one person, for one person, that we need to spread its spillage on to still others and other things in so many shapes and forms? What is this thing that we toss at humans, materials and ideas indiscriminately? I love my children, my new car and Shakespeare’s sonnets with strength and passion and tenderness. Yes, the car too (when I had a new one). Love is the excess, the overflow, always needing outlet. We live in the throes of love. Anti-love is its darker side though no less derivative of love.
This, of course, makes sense — we know that love is a mode of “interbeing” and a “dynamic interaction” in which the opportunity to choose each other over and over is what sustains the longevity of a couple’s bond.
The Art of Becoming the Latest Me
― Shannon L. Alder
Pure sound, entirely un-mattered,
Wingless Wren
She is a wingless wren
It was just a dream…
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Softly now a wind swept plain threads the dusty sky
There is a Leaving
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Eostre



