Why the Word ‘Should’ is a Lot Like ‘Stupid’

  
In today’s The Mindful Word appears this personal essay about guilt, obligation and giving, something I started to think about over the week and completed to publication.
 
When are we merely “giving to get something” as Joni Mitchell sings in “People’s Party”?
 
At 55, those delightful yoga sessions that instantly feel delicious deep down in the sinews and muscles, triggering pleasure sensors in the brain, are farther and fewer in between, even in a daily practice. Most days that great good feeling opens up only after slow beginnings, working steadily into full-throttle fluidity and warmth. I treasure those moments of recognizing deep physiological release and mental liberation. My mind soars with my body’s surrender to more, deeper, and longer stretches, everything opening, including …

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Conversations

  
A woman I know told me, “Do what you love,”
but I loved her and she was taken–with someone else,
so I couldn’t do her.
 
A man with very short hair, shorn I would say, advised,
“Don’t be afraid to let your hair down sometimes.”
My hair was longer than days back then.
 
A fellow friend asked yet again, “If we were lovers,
would we still be friends?”
Friends don’t let friends ask sleazy hypotheticals.

 

Burned by Tragedy’s Strike

  
Only trying to help, he reached—

with his arms, without his wits, without intention, pure reaction, 

like an impulse, he flew.

And then he landed, crashed.

He came to the rescue but then needed help, 

so much more than anyone could believe, could expect.

Just trying to lend a hand…stop the ball going over the edge, keep the game going, 

everything for the game, the kids, his granddaughter–playing.

Unthinkingly, he, trim-fit-tall and lean for his age, stepped a few, 

lunged, stretched, caught the ball out of bounds, out of the air, 

without hesitation, without strain or struggle, without looking, 

not knowing where he was, how close to the edge, the precipice.

And before the paramedics came, as the game continued, 

the girls playing with wonder, big worried question marks hanging above their heads, 

I slowly, tentatively, nervously peered over the side, 

caught a glimpse.

His crumpled body, or a part of it, I don’t know, 

being too afraid to see what was down below the field, 

down the embankment, he lay there.

And all I could do was shrink back, away, 

and rush to my daughter on the field at the end of the game, 

steer her away, not to go anywhere near there; don’t look.

But whatever I saw stays, 

like destiny or fate or a horror movie scene that really scares the shit out of you, 

so realistic, and yet

this was real, 

his dis-animated figure lying there in some ball or sprawl or head over heels, 

like a toppled monument in the grass, 

Sadam Hussein’s giant statue with the stoic expression on its face unchanging 

as the stone body keeps teetering by the shoving hundreds of hands, tipping, 

and then crashing again and again on replay in the news reels;

I cannot see, can’t summon it up as true, 

like a cartoon soccer grandpa looked frozen in mid-lunge, 

body angled shot from a cannon in goal keeper’s dive for the mid-air ball,

toward the pendulum arc his outstretched arms and the soccer ball configured

against the backdrop of space, sky, 

downward sloping grass and lower-down-the-slope trees,

and then as I saw him there motionless, suspended, 

he disappeared, 

popped into another universe.

A stranger’s shell broken below, 

still and ever so, 

no longer ambulatory, though alive but forever stilled–

his arms, legs, pelvis, neck, chest and heart, 

except for the abysmal ache of regret and enormous question mark:

how to live now, between oh so close to dying and not dead.

Too fucking unfortunately bad for him, the dumb mother fucker, 

his mind still moves–and remembers and remembers. 

Like mine–branded burnt.

And they–lawyers, relatives, investigators, insurance adjustors, soccer fans, and the projectionist

behind my eyeballs–will not let you die in me,

you, a mere artifact, statistic, flattened newspaper clipping, docket number, 

now a symbol, airy thin and translucent like a story never told, 

ancient as memory itself–a living tragedy, chaos confirmed .

Horror and Music

  

 

 
You want horror? I’ll give you horror.
 
You want music? How about a dirge?

How about the feeling of feeling nothing?

Not fear or love or even boredom. Not feeling.

How horrible would that be? Or maybe not.

How about brain tumors and skin cancer?

Who doubts rectal cancer’s horror, rotting from

the inside out, reeking inverted guts exposed?

What about bloat, the Great Dane disease,

their intestines twist-knotting them to death?

And perfect lovers meeting at the worst time,

both stuck inextricably in others’ lifeless lives?

Shattered happiness is horror, potential lost,

Losing a child or a loved one’s murder, terror.

How do you recover from sending your child 

off to school just to find her dead, shot up by

a murderer festering in a room, a closed door

emerging for a brief fatal foray out of alienation?

I cannot write any greater horror. Unimaginable.

How to write horror stories worse than the real?

Controlled horror in letters would play us God.

We can manage and shape–to know the ending. 

To know: Coping with horror is to make it. Write.  

In which we bow and break in bearing it

 
 
It’s five minutes before class begins and one student, a mousy girl who twitches occasionally and whispers answers to my questions after I respond to her half-mast upraised tentative hand that must be propped up by the other hand in order to give it any height, says, “I think no one’s here because of the shooting.”
 
The classroom is one third full, not unusual for the hour and time in the semester, about one third of the way through. 
 
I wanted to doff off her suggestion as somewhat silly or illogical to assure her, actually, but as is always the case in teaching college students–or any students–sensitivity is paramount, so I pause a complete second. But in drawing up my response, I immediately flash angrily, “No, probably not. Why wouldn’t they be used to this sort of news by now? After all, mass shootings happen every other day now. It’s just become the new normal.”
 
I immediately regret my callousness.
 
This student has confessed in her second essay written for this class that she suffers from epilepsy, a recent discovery that has left her to picking up pieces, rescuing remnants of her former life that held nothing but unfettered future, the worst day up until then being when an elementary school kid called her a mop-head. She told me her medication affects her memory, slows her.
 
When she confided in me, I thought of my daughter in college two states north from home. She suffers from a recent sport-inflicted concussion, confused and depressed, her mind sluggish and stalling–going on too long now. She fears. I fear.
 
******
Last week at the head of the classroom, I repeated the line from a prose poem assigned for that day, “In the end, we are alone in the house of the heart.” I then asked the students if they thought that was true. Some thought so. Most did not know.
 
I offered my story of watching a cancer patient die, slowly, how, after months of gathering her family around her, then one by one sending each off not to return to her as she got sicker, she hunkered down inside herself the last three weeks, doing the difficult work of dying. It certainly looked like no one could help her do it, that she had to do it alone. To further illustrate, I likened that aloneness to being elbowed in the diaphragm, down on the soccer field, fighting for air. All of the hovering bodies above you as you lie on the ground can do nothing for you–you don’t even see them–as you fight the pain and fear of never breathing, diving deeply inside yourself for that will to bear it, to survive or brave surrender.
 
I thought the dying example was illustrative, poignant. Some stared in reflection, some in emergency-broadcast-test-pattern mode, others in churning liquid emotion. One young man gripped his head in his hands, face hidden, staring down the sheen of the teflon coated desk.
 
My heart winced.

Salon’s “I’m the Woman You Met on Ashley Madison: how the rush of infidelity led to affairs online”

  

Salon’s Betty Andrews confessional about being an Ashley Madison girl may be disregarded as a disguised public documenting of her infidelity, her exploits, the Ashley Madison world, and the failure of monogamy for those who are wired for insatiable sensation-seeking, but I believe it is more a testament to a new style for an old theme—so many themes, actually: cake and eat it, self-sabatoging, avoidance, brazen dishonesty and crass conformity, to name just a few.

In reflecting on my proclivity for infidelity, I can only describe it as a kind of sensation seeking — the addictive quality of falling for someone new — and a propensity for self-destruction — reinforcing pathological defense mechanisms. Sure, there’s the sex. And that part is great, sometimes even amazing. But for me, it’s not about a secret kink, an insatiable sexual appetite. or not getting enough attention at home. It’s the novelty of someone else. The intensity. The escape. The possibility. The falling …

I used to call those serial daters, the thrill-seekers aka commitment-phobes. But add in the desire to have it all–the comfort and safety of marriage peppered with the spice of the new–and you have a dream life, right? Or you have someone who likes complications that appeal to the brains who love teasers, puzzles and risk, juggling all those balls to keep them in the air–husband, kids, lover(s), job, secrets, etc.. And ultimately to be alone, not so much without a partner or choices due to burned bridges, though that is a risk, but more so due to dancing yourself into a corner.

My insatiable appetite, not just for the sex, but for the whole confusing mix of physical and emotional feelings, persists. Maybe it’s the escape from real life. The exploration of something new. The thrill of falling for someone else. But ironically, there’s also a very isolating quality to infidelity. There is no one to talk to about it all, to reflect on my actions, to process the big picture. I can’t talk to my lover about my husband. I can’t seek advice for marital spats or discuss fertility woes. And I can’t talk to my husband about my lover. I can’t brag to him about the amazing sex, or cry to him with the heartbreak that is being involved with a man who loves someone else. None of it makes any sense to me yet, and the secrecy draws me further, not closer, from the people in my life. In my search for excitement, romance, connection and intimacy, I’m as alone as I’ve ever been. Sometimes I wonder if that’s the point.

In a perfect world, we would all know ourselves enough each to say, “I am thus and so should be true to myself, choose someone who can accept me for who I am” and be brave enough to act in accordance with the statement. But the question arises: Would Andrews seek the others if her husband accepted her dalliances? Or would that take away some of the lure of seeking lovers in the first place? The deep-seated need to be alone, as Andrews remarks, may be the motivation for maintaining infidelity practices, and she suspects or knows it. So long as the cost-benefit analysis weighs in favor of the benefits, she will continue to feed her need to be conflicted and between worlds–or someone finds out and gets really hurt.  

I believe the lure is more insidious; it’s about being someone other than who you are. That is what cheating allows, the fantasy of being someone’s “all I ever dreamed of or all that I don’t have” It’s easy when there is really not all of your skin in the game, so to speak–for either. Affairs allow you to be what you are not in your main relationship–and that is the fun, just like Halloween or costume parties. Pretend. And much needed release for being so much of what you are not for someone else.

Considerate giving as gift

But at 55, the should’s should not be gripping me as they do in tortuous roads to re-realization that giving to get something is not giving, and thoughtful consideration of my intentions—a mere pause or micro-meditation–relieves me and everyone I touch of unfulfilled obligations and responsibilities to me and those who depend on me.

rsz_considerate-giving-as-gift-003

Giving with expectation, without right to give away what belongs to another–time, energy, and money–is not proper giving. It is merely exchange or thievery.

Prison Phone Calls:  when capitalism incapacitates its most precious capital–people

 
 
She has slept away her first five days here, awakening only to fret, face swallowed up in full furrowed brows, swollen eyes and shrivelled spirit, grieving inconsolably over something lost, something she fears is lost anyways. She cries. Fifty-five years old, weathered, burnished skin adding ten years to her face, she was picked up for drugs or prostitution; I do not remember which. She once told me in between spurts of awakened anguish over her dogs. All I remember is the agonized tears and the dogs…read more

Incapacitating Grief Snippet

  
“My dogs, my dogs, what’s going to happen to them?”
I burn with desire to help, call someone, but I know I cannot. Impossible, even if I could locate her husband.
She was arrested nearing her apartment, where her five dogs live and sometimes her estranged husband. She suffers thinking about the fate of her dogs. All she wants to do is contact her husband to make sure he looks after the dogs. She has no one else. Otherwise, they will die or get taken away. Each time she awakens, she bawls and repeats her anguish, fretting so hard and patterned like worried fingers on rosary beads. Exhausted, she falls back to sleep.

When Worlds Collide

    
Hard to catch my breath, like the moon sliced thinly

slivered to eighths, and thirds and halves tonight,

bitten, smothered, and bloodied, but largely ignored.

Has the moon absorbed ALL the air for its survival?

I gasp. And the battle rages outside the shop window,

the moon wrestling for light, struggling in the shadow.

Crescent beam rests on the palm frond near defeated,

gasping for a second wind before a last laser sabre stab.

And then–fade to dust, blackened sky longing, airless.

“Oh black night, I rest inside you, my Jonah, forgotten,

caged bones’ anonymity, unheard, unseen–un-re(a)d.”