Fugue

  

  
Sundays. 

In day-drifts I spend them in lengthy morning sheets, 

woven threads striping maypole my legs with yours.

Skills. 

You have them: attentive, unwavering, intent. 

Your strong gentleness fills our bed with symphonic hum, a vibrational fugue. 

I cry. 

Some tenderness tears at lost time, flaked off bits of skinned cycles round, 

a heart with no hands.

Touch: soft swept fingers warm atop cupped palms, like namaste hands, loose prayers. 

Your hands. 

The edges brush by bristled cheek, full flesh and heated like sun-baked summer squash.

Promises: unsaid, steady and willed. 

You cannot. 

Ties from September past, 

a dozen dozen or more in months melded to seamless years of you and you and you. 

And her. 

Until: always when, yet, but still, then again, for now, someday, and forgive me.

 
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Yet Another Ode to Dionysus: Sampling Under the Auspices of Research on a Saturday Afternoon

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I drove miles to meet, caught on the draft of highway 1,
Steeped knee deep in alder wooded cabinets stained in olive oil for
Caressed care of liquid pearl, grapey god’s velvet sip.
A dream of Athens, fleet footed baccanalia, you, my hedonistic loined lover of leaf and vine.
The sun.
Engineered glycolic canyons deep, your sugar mined for me
Wilts me weeping, drunk on pleasures
Deep, soil rich and dancing, your hooves in mine, herding your tethered Lust for wine–and me.

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Singing Joni

Joni Mitchell sings, ” I am a lonely painter. I live in a box of paints.” And when she does, I am stilled. But it is not the last sentence so much as the first, and not the last word so much as the word before–lonely–that moved me dozens of hearings. She moans the word, extended ‘O” evocative of Munch’s howl, though far more subtle, deeper and soulful. The anguish is not Munch’s, overlaid with fear, so much as the rooted, internal groan, petulant sugar, that she bemoans.

I sing that line out of nowhere driving in my car or listening to a conversation drifting in and out, particularly imbalanced ones where I witness more than counsel or contribute.

At first the metaphor of living in a box of paints brushed up against the literary lover in me. I imagined her a genie in a bottle, except a box of paints, transporting me back home–in my imagination–just visiting others’ worlds when I choose or must. But I know it’s the howl of the loooooooo that draws me to the line, to sing it. And not the lonely of loneliness. We are all lonely, though more like unsatisfied, unfocused and disassociated too often. A spiritual loneliness more than a lost or severed connection with others often characterized by missing someone or something. I do not consider that lack as lonely. It’s bigger yet smaller than one human or animal or other being, one activity.

No, the oooo in the looooo is both a ‘no’ and an ‘oh,’ like a sort of toggling between braking and accelerating a car or a dance, patterns of release and restraint.

Joni wants to paint but she sells songs instead. She is an artist, vast and particular. Many artists tear at the thrust of creation thwarted to pay the bills. We yearn to paint.

It is not so much a complaint–I can find a modicum of pleasure and certainly gratitude in anything I do, given that I allow myself to do so–as much as it is a longing, a desire ever felt, within centimeters of impossibly outstretched fingertips, a taste, a scent, a faint melody or flash of recognition come and gone. The hollow left behind–of not reaching–the come and gone, is the oooo. Both full and empty space, both present and absent. An ache. But one informed by the mind’s consent. I hurt because I worked out, something good for me. It will get better.

A promise. We live on promises. Some say that is wasting time, wasting away. Waiting is my least favorite thing to do. Impatience is my pratfall. But there is the impatience at not getting what I want–an open lane for some fucking space, room to race onward!–and there is impatience with something larger, more profound. Not attaining because…Perhaps that is the larger impatience. The because. What follows elicits the moan, sigh and gut grief.

Today “I am a lonely painter” with many mutterings to utter before the day is through, puppeteering a teacher, word-pump, and merchant. And as I dive into a replenishing yet jolting plunge into gratitude, I will channel Joni, fighting for all that is ordinary and plentiful right now–air, thought and motion.

 

Who’s that Knocking at my Door?

 

 

A shadow slumps in the doorway, a darkness hollowed by blazing corners

where the light exhales, squeezing past the hulking figure that is my father.

“What are we having for breakfast?” Code for make me something to eat.

Desires, requests, pleas, all are puzzles to a man who knows no direct say.

“Sure, go ahead and eat without me. You don’t give a shit about me anyway.”

Read: I want to be loved, appreciated and acknowledged as a human being.

He knows no direct. His sentences scrape the underside of a mirror, inverted.

An uneducated master of language manipulates impulses, inherited relations

to move, respond, act, resist and surrender–a force of father-thinned twining.

 
Mother instilled the love of words in those of us who shone in penning letters.

She idled hours in solving crosswords, leafing magazines, and correcting him.

“‘Don’t got’ is a double negative and makes you sound like an illiterate moron.”

Her words sliding by as if unspoken, he ignored her, she, his virtual dictionary,

until Scrabble time, where strategy schooled the unwary wordsmith defensed.

A board game master, card player extraordinaire and pathological liar, he waits.

Convinced long ago she filled me with philologist love, I glance upon his notion;

my words form around the blankness in the doorway, the gamesman stares me

while the muse I wrestled to the ground, a slutty run-around, scampers past him.

 
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Just Until…

  
Just until I am 10, then I will almost be a teenager and can do more things, and not be treated like a baby.

Just until I am 16 and can drive, then I will be free…to work, earn money, and buy my own clothes.

Just until I am 18, when I can get the hell out, be on my own.

Just until I am 21 and can drink–legally. 

Just until I am 28 and will finally graduate from bull shit schooling, start a life.

Just until I am 35 and can finally give in to the urge to procreate.

Just until I am 40, when I can stop having kids.

Just until I am 45, when the kids are in school and I can work more, go back to school.

Just until I am 48 and get my PhD finished, I can teach locally.

Just until I am 50, I will give myself permission to have a mid-life crisis, go away, learn to surf, dye my hair.

Just until I am 55, when I can make a plan, hold on long enough to finish growing up my kids, get them through college, just another 5 years or so, until I am 60 when I can begin to wait out my term, be on my own watch, do my own thing.

I wait. As we all do. We abide biding time as if time could be had. We are had by time and its illusion. Desire is the expression of suffering we live to fill space with all things but ourselves. There really is no time–just inhale and exhale.

 
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Something Itching to Come

  
The angst is biting mites today, 

leaving blazing sores, 

small but cumulatively painful, raging.

Yet, the promise unknown …looming.

A gift encircled in the inverted telescope?

My bones marrow in distant headlights.

A missive, visitor or opportunity,

Something approaches.

Ah, but absorption sucks it dry,

sponged back in the dull hum lethargy.

Only a fleeting prick of moment.

 
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Autophony: The sound of living inside a mother’s dementia

  

I scrapped together a few writings I blogged over the year and produced this piece that was published yesterday.

Tripping on sounds, I hear birds outside my window, muffled, over the swish-throb of a heartbeat in my ears, a pulsing slightly alarming and soothing all the same. I also hear a dish clanking outside the closed door of my room, emanating from the kitchen where I imagine my mother is sitting, skeletal and serene in her wheelchair, gazing off through the filmy stare that inhabits her face now. The cataracts of her mind’s eye reaches some unknown space outside or inside her head that swirls and lulls the cerebral juices to twitching stillness, her jerking to and from that space in split-second recognition of a face, idea, song slice or voice. I imagine her waiting like the baby bird with beak wide open in anticipation of its mother’s nurturing tongue, depositing the meaty worm of egg or pear. She is spoon-fed…continue here.

Pratyahara and Pencils: teaching writing is about seeding awareness in students

  
This was exactly what Professor Yip meant by being detached — not being without emotion or feeling, but being one in whom feeling was not sticky or blocked. Therefore in order to control myself I must first accept myself by going with and not against my nature.

Bruce Lee 

Pratyahara and pencils populate my thoughts today. Back to school, I can smell the freshly sharpened pencils—not that anyone sharpens pencils in my college classes so much. The sensory memory recalls the time of year: fall, school, endings, beginnings and lifelong learning. Cycles that inspire.

Inspiration arises in peculiar places. During a particularly dry creativity spell, I sat through the annual English department meeting last week at school, my employer, and felt a sudden spark. It was midway through a workshop on workshopping (silly sounding but fruitful) when I began to write about…

Continued here

So Many Ways to Lose a Daughter

 

 
When they were little, headless operations I called them, 

toddling about with no motion detection sensors, 

oblivious to the science of mass in flight against

the immovable object, cause and effect, win and lose, 

I feared losing their pristine purity, their soft roundness

drenched in new flesh, irradiant, to rocks and bumps

in the playground grass or sandbox, opening into

split lips or knobby eggs on their foreheads. I feared

losing them to cars in free fall, driven by madness 

up on my lawn, taking my children with them, like 

the newspaper clipping in the local Starbucks report.

I feared flus and asthma, pneumonia, broken bones

and stitches they could contract or suffer with 

complication and then die in my arms or in their sleep.

I dreamed of kidnappings and wanderings off in 

supermarkets or department store aisles, lost, lost, lost.

I walked them to school the block and a half every day.

And when they were in middle school, I dreaded

the treacherous row of absent-minded, harried

dropping-off moms vs. the brainless, twit t’weeners on

bikes, laughing and careening their wheels into traffic,

caring little for mortality the daily drive threatened

like that boy and his friend on a bike, on the same road,

on the way to school two days before the school year

start, picking up his schedule, leisurely, laughing, 

peddling, looking back at his lagging friend just before

the swerve, the truck, the texting driver, the hit–gone.

I never let them ride their bikes to school, not with that.

I did not want to lose them to twenty somethings’ texts.

Just like I did not want to lose them to drugs, drunk

drivers and AIDS, cancer, concussions or accidents.

I did not want to lose them. And I lost them any way.

To friends, trends, music and driver’s licenses, to

social media and idealism, fierce loyalty and pride of

a generation angry in the wake of destruction their

parents have left them to navigate, chlorinate the gunk

of polluted finance and corrupt opinions and falsity, 

falsity everywhere. I lost them to independence and

opportunity elsewhere, greener, colder, blue-skyed

distant and lonely, free and home away from home.
 

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